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"Going Bad" is a song by the American rapper Meek Mill featuring the Canadian rapper Drake. It was the first single released from his album Championships (2018) on January 22, 2019, to US urban contemporary radio. The music video was teased in February 2019 and also released that month.
The lyrics are in classical Urdu, written by the Pakistani Urdu-language poet Hafeez Jalandhari in 1952. No verse in the three stanzas is repeated. [ 2 ] The lyrics have heavy Persian poetic vocabulary, [ 17 ] and the only words derived from Sanskrit are "ka" ( کا [kaˑ] 'of'), and "tu" ( تو [tuˑ] 'thou').
Pak Sar Jamin Sad Bad (Bengali: পাক সার জমিন সাদ বাদ pāk šar jomin šād bād from Urdu: پاک سرزمین شاد باد pāk sarzamīn shād bād "Blessed be the Sacred Land") is a 2004 Bangladeshi Bengali novel, [1] written by Humayun Azad.
"Your Good Girl's Gonna Go Bad" is a song written by Billy Sherrill and Glenn Sutton, and recorded by American country music artist Tammy Wynette. It was released in February 1967 as the first single and title track from the album Your Good Girl's Gonna Go Bad .
Hafeez Jalandhari was unique in Urdu poetry for the enchanting melody of his voice and lilting rhythms of his songs and lyrics. His poetry generally dealt with romantic, religious, patriotic and natural themes. His language was a fine blend of Hindi and Urdu diction, reflecting the composite culture of South Asia. [3]
Taylor Swift's "Down Bad" lyrics seem to detail just how into Matty Healy she really was. Here, a breakdown of the lyrics. ... ‘Wait, no, where are you going? I liked it there. It was weird, but ...
Nazm is a significant genre of Urdu and Sindhi poetry; the other one is known as ghazal. Nazm is significantly written by controlling one’s thoughts and feelings, which are constructively discussed as well as developed and finally, concluded, according to the poetic laws.
The Urdu ghazal makes use of a store of common characters, settings, images, and metaphors that inform both readers and poets of how to navigate the aforementioned ghazal universe. [33] These tropes have been cultivated for hundreds of years and are meant to deeply resonate with listeners of the ghazal, invoking their expectations of meaning. [33]