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Prior to independence, Senegalese popular music consisted of nightclub dance bands that played European music, namely American and French songs.As independence approached and the country sought to move away from its colonial past, the popular music of Senegal began to be influenced by the Cuban music that was becoming popular throughout Africa.
A group of musicians at the village of Mbour, playing a kora, a gongoba drum and a guitar.. The Wolof, the largest ethnic group in Senegal, have a distinctive musical tradition that, along with the influence of neighboring Fulani, Tukulor, Serer, Jola, and Mandinka cultures, has contributed greatly to popular Senegalese music, and to West African music in general.
Like many Wolof songs, and as tradition in music of the region, the song builds and builds to a climax and the final verse captures her giving shout-outs to various people. In 2010 she gained her first taste of international notoriety by doing a commercial for the Ritz cracker company where she can be heard singing her song "Ta Ta Viviane!"
Prior to the wide spread of hip hop in Senegal, traditional music was transcended through pre-ordained griots. The term griot, also known as gewel, can be defined as, "… traditional praise-singer, musician, social go-between, counselors, or dancer and acrobat," [3] These individuals were born into, "endogamous, professionally specialized group often referred to as a 'caste'."
Frå Senegal til Setesdal is a world music album made by a quartet consisting of Norwegian folk musicians Kirsten Bråten Berg and Bjørgulv Straume, Senegalese folk musician Solo Cissokho and Ivorian folk musician Kouame Sereba. It was released on Grappa in 1997. Berg and Sereba performed the vocals.
Mbalax (or mbalakh) is the urban dance music of Senegal, Mauritania and the Gambia.The musical style is rooted in the indigenous instrumental and vocal styles accompanied by polyrhythmic sabar drumming of the Wolof, a social identity that includes both the original Wolof people of the Greater Senegambia region and the urban panethnic identity that arose during colonialism.
" Le Lion rouge" (Wolof: Gayndeg sibi xiiru na; English: "The Red Lion"), more commonly known by its incipit "Pincez tous vos koras, frappez les balafons" (Wolof: Yëngalleen kooraa yi, te jiin ndënd yi; English: "Everyone strum your koras, strike the balafons") is the national anthem of Senegal. It was adopted in 1960.
The akonting ([ə'kɔntiŋ], [1] or ekonting in French transliteration) is the folk lute of the Jola people, found in Senegal, Gambia, and Guinea-Bissau in West Africa.It is a string instrument with a skin-headed gourd body, two long melody strings, and one short drone string, akin to the short fifth "thumb string" on the five-string banjo.