Search results
Results from the WOW.Com Content Network
For the first time in India, an online film festival was a part of 2013 edition in association with NFDC, which allowed everyone to watch their favourite films online on their computer screen. [6] The winning films of 2013 edition received amazing response such that they were selected for Jaipur International Film Festival for special screening.
This page was last edited on 26 November 2024, at 14:30 (UTC).; Text is available under the Creative Commons Attribution-ShareAlike 4.0 License; additional terms may apply.
Due to the huge number of Indian films and also due to objections that have been expressed about its use, please, do not transclude this template in Indian film articles, but only in general articles about the Indian film industry. Here are suggestions, that can be further debated in the talk page: Major Indian film studios.
To change this template's initial visibility, the |state= parameter may be used: {{Hindi film list | state = collapsed}} will show the template collapsed, i.e. hidden apart from its title bar. {{Hindi film list | state = expanded}} will show the template expanded, i.e. fully visible.
Colour Yellow Productions was founded in 2011 by Aanand L. Rai. [1] The company has produced successful films that include the Tanu Weds Manu franchise (2011, 2015), the Happy Bhag Jayegi franchise (2016, 2018), Raanjhanaa (2013), Nil Battey Sannata (2016), Manmarziyaan (2018), Tumbbad (2018), Zero (2018), Laal Kaptaan (2019), Shubh Mangal Zyada Saavdhan (2020) and Haseen Dillruba (2021 ...
Indian cinema may include domestic films, films made by Indian filmmakers abroad, films produced or co-produced by Indian companies, and foreign films shooting in India. However per Wikipedia:WikiProject Film#Scope, this task force should not include articles about actors, directors and filmmakers.
YNOT Studios was created by Chennai-based architect and entrepreneur S. Sashikanth in 2009. Having previously worked in films as an assistant art director, Sashikanth remained in contact with film personalities through his architectural work and became a close acquaintance of ad filmmaker C. S. Amudhan and cinematographer Nirav Shah.
(See this discussion) Worldwide, when people reference a film's budget, they mean the production budget, i.e. the cost of making the film, not the cost of marketing it. So we should try to find a better source for budget than Box Office India.