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Dionysus in Greek mythology is a god of foreign origin, and while Mount Nysa is a mythological location, it is invariably set far away to the east or to the south. The Homeric Hymn 1 to Dionysus places it "far from Phoenicia, near to the Egyptian stream". [245]
Dionysus has been coined the "masked god," "wine god," and "god of theater" due to his androgynous appearance [5] and ability to hide his true self under facades and enthusiasm. Many Greek stories believe Dionysus to be the son of Zeus, [1] separated and placed in the care of Nysa nymphs in an attempt to protect him from Hera's anger towards ...
The cult of Dionysus was strongly associated with satyrs, centaurs, and sileni, and its characteristic symbols were the bull, the serpent, tigers/leopards, ivy, and wine. The Dionysia and Lenaia festivals in Athens were dedicated to Dionysus , as well as the phallic processions .
The Derveni krater, height: 90.5 cm (35 ½ in.), 4th century BC. The Dionysian Mysteries of mainland Greece and the Roman Empire are thought to have evolved from a more primitive initiatory cult of unknown origin (perhaps Thracian or Phrygian) which had spread throughout the Mediterranean region by the start of the Classical Greek period.
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Dionysus, the god of wine, theatre, and ecstasy in ancient Greek religion, has been compared to many other deities, both by his classical worshippers and later scholars.. These deities include figures outside of ancient Greek religion, such as Jesus, [1] Osiris, [2] Shiva, [3] and Tammuz, [4] as well as figures inside of ancient Greek religion, such as Had
He is the twice-born son of Zeus and Semele, in that Zeus snatched him from his mother's womb and stitched Dionysus into his own thigh and carried him until he was ready to be born. In art he is depicted as either an older bearded god (particularly before 430 BC) or an effeminate , long-haired youth (particularly after 430 BC).
The Apollonian and the Dionysian are philosophical and literary concepts represented by a duality between the figures of Apollo and Dionysus from Greek mythology.Its popularization is widely attributed to the work The Birth of Tragedy by Friedrich Nietzsche, though the terms had already been in use prior to this, [1] such as in the writings of poet Friedrich Hölderlin, historian Johann ...