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The first jazz artist to be given some liberty in choosing his material was Louis Armstrong, whose band helped popularize many of the early standards in the 1920s and 1930s. [3] Some compositions written by jazz artists have endured as standards, including Fats Waller's "Honeysuckle Rose" and "Ain't Misbehavin'".
“One can plausibly argue that the debate over jazz was just one of many that characterized American social discourse in the 1920s” (Ogren 3). In 1919, jazz was being described to white people as “a music originating about the turn of the twentieth century in New Orleans that featured wind instruments exploiting new timbres and performance techniques and improvisation” (Murchison 97).
Coming to prominence in the 1920s as an inventive trumpet and cornet player, he was a foundational influence in jazz, shifting the focus of the music from collective improvisation to solo performance. [5] Around 1922, Armstrong followed his mentor, Joe "King" Oliver, to Chicago to play in Oliver's Creole Jazz Band.
Alberta Hunter (April 1, 1895 – October 17, 1984) was an American jazz and blues singer and songwriter from the early 1920s to the late 1950s. [ 1 ] [ 2 ] [ 3 ] After twenty years of working as a nurse, Hunter resumed her singing career in 1977.
Jazz artists like Louis Armstrong originally received very little airtime because most stations preferred to play the music of white American jazz singers. Other jazz vocalists include Bessie Smith and Florence Mills. In urban areas, such as Chicago and New York, African-American jazz was played on the radio more often than in the suburbs.
Annette Sanders (born 1937 or 1938) [1] Tommy Sands (born 1937) Natalie Sandtorv (born 1988) Marit Sandvik (born 1956) Diane Schuur (born 1953) Hazel Scott (1920–1981) Jimmy Scott (1925–2014) Gil Scott-Heron (1949–2011) Janet Seidel (1955–2017) Gunhild Seim (born 1973) Nina Shatskaya (born 1966) Ian Shaw (born 1962) Marlena Shaw (born ...
The first jazz artist to be given some liberty in choosing his material was Louis Armstrong, whose band helped popularize many of the early standards in the 1920s and 1930s. [ 5 ] Some compositions written by jazz artists have endured as standards, including Fats Waller 's " Honeysuckle Rose " and " Ain't Misbehavin' ".
Historian Kathy J. Ogren wrote that, by the 1920s, jazz had become the "dominant influence on America's popular music generally" [61] Scott DeVeaux argues that a standard history of jazz has emerged such that: "After an obligatory nod to African origins and ragtime antecedents, the music is shown to move through a succession of styles or ...