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Genius is an American digital media company founded on August 27, 2009, by Tom Lehman, Ilan Zechory, and Mahbod Moghadam.The company is known for its eponymous website that serves as a database for song lyrics, news stories, sources, poetry, and documents, in which users can provide annotations and interpretations for.
Cultural Themes in Lyrics: Analysis of themes such as disruption, nostalgia, and rooted errantry in the lyrics of prominent Cajun musicians like Zachary Richard and Michael Doucet. Cajun-ness in Media: Examination of the portrayal of Cajun culture in films and instructional dance videos, highlighting the tension between tradition and innovation.
Eh La Bas is a traditional New Orleans song.Originally it was sung with Cajun lyrics but was later given French lyrics and the common title from the French lyrics. There have been numerous versions, including English lyrics that refer to both the Cajun and French versions, and all employ a call and response.
Flocabulary is a Brooklyn-based company that creates educational hip hop songs, videos and additional materials for students in grades K-12. [1] Founded in 2004 by Blake Harrison and Alex Rappaport, the company takes a nontraditional approach to teaching vocabulary, United States history, math, science and other subjects by integrating content into recorded raps.
Kneecap is a semi-dramatized biopic of the Belfast music group of the same name.
Early song lyrics were entirely in Cajun French. Though songwriting in French is still common, today some Cajun music is sung in English with younger singers and audiences. Traditional Cajun instruments: tit-fer, Cajun accordion, and a fiddle. In earlier years, the fiddle was the predominant instrument. Usually two fiddles were common, one ...
Clapping back. Alabama Barker responded to critics after a teaser for her new rap song drew backlash from social media users. “I’m tired of people saying I don’t know anything about rap ...
Joe Edwards of the Associated Press said that Raven "has a deep, masculine voice that pours out incisive songs in a style he describes as 'Cajun reggae, Cajun Caribbean, electric Cajun.'" [57] Similarly, Susan Beyer wrote in a review of Right for the Flight that "[h]is voice has a soulful edge, with a nice strip of grit right in the middle" and ...