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Church and Sunday school hymnal, a collection of hymns and sacred songs, appropriate for church services, Sunday schools, and general devotional exercises. Compiled and published under the direction of a committee appointed by Mennonite conferences, Musical Editor – John David Brunk (1902) [607] New Harmonia Sacra (1915) by Joseph Funk and ...
A Christmas cantata or Nativity cantata is a cantata, music for voice or voices in several movements, for Christmas.The importance of the feast inspired many composers to write cantatas for the occasion, some designed to be performed in church services, others for concert or secular celebration.
In some years, a Sunday falls between New Year's Day and Epiphany: it is known as the Sunday after New Year (New Year I) or as the second Sunday after Christmas (Christmas II). Readings 1 Peter 4:12–19: suffering of Christians (Leipzig); Titus 3:4–7: God's mercy appeared in Christ (Hamburg) [28] [66] Matthew 2:13–23: the Flight into Egypt ...
A carol is a festive song, generally religious but not necessarily connected with church worship, often having a popular character. Today the carol is represented almost exclusively by the Christmas carol , the Advent carol, and to a lesser extent by the Easter carol.
The Sundays after Trinity are numbered using roman numerals (for example "Trinity II" for the second Sunday after Trinity). The high holidays Christmas, Easter and Pentecost were celebrated for three days, indicated by numbers for the second and third day, for example "Easter 3" for the third day of Easter. Keyboard instruments are only listed ...
Gaudete by Collegium Vocale Bydgoszcz The first page of the original version. Gaudete (English: / ɡ ɔː ˈ d iː t iː / gaw-DEE-tee or English: / ɡ aʊ ˈ d eɪ t eɪ / gow-DAY-tay, Ecclesiastical Latin: [ɡau̯ˈdete]; "rejoice []" in Latin) [a] is a sacred Christmas carol, thought to have been composed in the 16th century.
By the time of the Council of Trent (1543–1563) there were sequences for many feasts in the Church's year. The sequence had always been sung directly before the Gospel, after the Alleluia. [ 1 ] The 2002 edition of the General Instruction of the Roman Missal , however, reversed the order and places the sequence before the Alleluia .
Contemporary music aims to enable the entire congregation to take part in the song, in accord with the call in Sacrosanctum Concilium for full, conscious, active participation of the congregation during the Eucharistic celebration. What its advocates call a direct and accessible style of music gives participation of the gathered community ...