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F major is the home key of the English horn, the basset horn, the horn in F, the trumpet in F and the bass Wagner tuba. Thus, music in F major for these transposing instruments is written in C major. These instruments sound a perfect fifth lower than written, with the exception of the trumpet in F which sounds a fourth higher.
So if the song was in G minor, the key would be listed as B ♭ major, and G minor chords would appear as 6-. If a chord root is not in the scale, the symbols ♭ or ♯ can be added. In the key of C major, an E ♭ triad would be notated as ♭ 3. In the key of A major, an F major triad would be notated as ♭ 6.
Piano Sonata in F major (Sibelius) Piano Sonata in F major, K. 547a; Piano Sonata No. 2 (Mozart) Piano Sonata No. 6 (Beethoven) Piano Sonata No. 12 (Mozart) Piano Sonata No. 15 (Mozart) Piano Sonata No. 21 (Beethoven) Piano Sonata No. 22 (Beethoven) Piano Trio No. 1 (Saint-Saëns) Piano Trio No. 2 (Schumann) Piece in F for Keyboard, K. 33B (Mozart)
Play inward ⓘ or outward ⓘ Regular resolution in F major Play ⓘ. One common tone, two notes move by half step motion, and one note moves by whole step motion. Resolution in Western tonal music theory is the move of a note or chord from dissonance (an unstable sound) to a consonance (a more final or stable sounding one).
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Eric Walter White suggests and dismisses the possibility that the Petrushka chord is derived from Messiaen's "second Modes of limited transposition" (the octatonic scale) in favor of a "black key/white key bitonality" which results from, "Stravinsky's well known habit of composing at the piano."
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