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"Dynamite" is a 1970s-influenced disco-pop song [11] [13] [14] with elements of funk, soul [15] and bubblegum pop. [16] Sheet music for the song shows a 4 4 common time in the key of E major with a tempo of 114 beats per minute. The vocal range spans from B 3 to D ♯ 5. [17]
"Dynamite" is written in the key of E major, with a tempo of 120 beats per minute. [3] According to Cruz, "The song 'Dynamite' itself is about when you go to the club and when you go to a party and when you're just going out... you got to feel like, 'I'm just gonna explode.'" [1] Dr. Luke and Max Martin had written the melody, and asked Bonnie McKee to write lyrics.
Notes that are shown as sharp or flat in a key signature will be played that way in every octave—e.g., a key signature with a B ♭ indicates that every B is played as a B ♭. A key signature indicates the prevailing key of the music and eliminates the need to use accidentals for the notes that are always flat or sharp in that key. A key ...
In music theory, the key of a piece is the group of pitches, or scale, that forms the basis of a musical composition in Western classical music, art music, and pop music. Tonality (from "Tonic") or key: Music which uses the notes of a particular scale is said to be "in the key of" that scale or in the tonality of that scale. [1]
When a musical key or key signature is referred to in a language other than English, that language may use the usual notation used in English (namely the letters A to G, along with translations of the words sharp, flat, major and minor in that language): languages which use the English system include Irish, Welsh, Hindi, Japanese (based on katakana in iroha order), Korean (based on hangul in ...
Most music is written for two hands; typically the right hand plays the melody in the treble range, while the left plays an accompaniment of bass notes and chords in the bass range. Examples of music written for the left hand alone include several of Leopold Godowsky's 53 Studies on Chopin's Etudes, Maurice Ravel's Piano Concerto for the Left ...
In popular music and rock music, "borrowing" of chords from the parallel minor of a major key is commonly done. As such, in these genres, in the key of E major, chords such as D major (or ♭ VII), G major (♭ III) and C major (♭ VI) are commonly used. These chords are all borrowed from the key of E minor.
Each major and minor key has an associated key signature, showing up to seven flats or seven sharps, that indicates the notes used in its scale. Music was sometimes notated with a key signature that did not match its key in this way—this can be seen in some Baroque pieces, [1] or transcriptions of traditional modal folk tunes. [2]