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The middle Baroque period in Italy is defined by the emergence of the vocal styles of cantata, oratorio, and opera during the 1630s, and a new concept of melody and harmony that elevated the status of the music to one of equality with the words, which formerly had been regarded as pre-eminent. The florid, coloratura monody of the early Baroque ...
The king's time on the continent, his (hidden) preference for Catholicism and explicit desire for entertainment led to the embracing of the Baroque and continental forms of music. [2] The court became something of a crossroads of European musicians and styles on a much grander scale than previously achieved.
The Baroque poetry replaced Mannerism and includes several schools, especially most artificial poetic style of the early 17th-century. [ 11 ] [ 12 ] It involved Giambattista Marino , Lope de Vega , John Donne , Vincent Voiture , Pedro Calderón de la Barca , Georges de Scudéry , Georg Philipp Harsdörffer , John Milton , Andreas Gryphius , and ...
The Baroque period was a golden age for theatre in France and Spain; playwrights included Corneille, Racine and Molière in France; and Lope de Vega and Pedro Calderón de la Barca in Spain. During the Baroque period, the art and style of the theatre evolved rapidly, alongside the development of opera and of ballet.
Style indicates the distinctive characteristics of a particular composer or historical period, like Baroque or Romantic, placing the composition within a broader cultural and chronological context and linking it to artistic movements and historical events that influenced its creation.
In the years centering on 1600 in Europe, several distinct shifts emerged in ways of thinking about the purposes, writing and performance of music.Partly these changes were revolutionary, deliberately instigated by a group of intellectuals in Florence known as the Florentine Camerata, and partly they were evolutionary, in that precursors of the new Baroque style can be found far back in the ...
The rondo form emerged in the Baroque period and became increasingly popular during the Classical period. [2] The earliest examples of compositions employing rondo form are found within Italian opera arias and choruses of the first years of the 17th century. [2] These examples use a multi-couplet rondo or chain rondo (ABACAD) known as the ...
The doctrine of the affections, also known as the doctrine of affects, doctrine of the passions, theory of the affects, or by the German term Affektenlehre (after the German Affekt; plural Affekte) was a theory in the aesthetics of painting, music, and theatre, widely used in the Baroque era (1600–1750).