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Israëls tries to capture the carefree atmosphere of the sunny day, with the summer wind, the warm light and the sound of the waves. Donkey riding on the beach was a popular pastime at the time. The painting reflects Israëls' preoccupation with the representation of sunlight. The subject seems almost coincidental.
The beach depicted here is probably not in the Channel Islands but near Dieppe, on the Normandy coast. The model was Aline Charigot , his then girlfriend, whom he married in 1890. [ 2 ] The arc of the sitter's dark eyebrows and saucily tilted nose in that pleasant, rosy-cheeked face are common to works by Renoir.
Manet, On the Beach, 1873. Compositionally, the painting departs from the conventions of the era. Gauguin crowds the two figures into the space of the canvas, yet they are completely independent of one another. [11]: 236 Art historians have compared this aspect of the work to the treatment of figures in Manet's On the Beach. [9]: 236
Girl with Pink Bow: oil on canvas: 1905: Pennsylvania Academy of the Fine Arts, Philadelphia, PA: 30 in x 25 in (76.2 cm x 63.5 cm) The painting is of the artist's daughter Sylvia. SIRIS Collection Number 82190232 [3] Girl with Pink Bow: oil on canvas: 1905: 20.4 in x 24.5 in (51.8 cm x 62.2 cm) SIRIS Collection Number 89170083 [3] Philip ...
Clotilde en la playa, 1904 Paseo del faro, 1906 Elena en la playa, 1909. Born in Valencia, Joaquín Sorolla had been familiar since his youth with life on the sea. In his early work, there is the traditional port view Marina, Barcos en el Puerto with which he made his debut in the art exhibition Expsoición National in Madrid in 1881. [17]
Ramsgate Sands, also known as Life at the Seaside, is an oil-on-canvas painting by the English artist William Powell Frith, who worked on it from 1851 to 1854.The painting, which depicts a beach scene in Ramsgate, was Frith's first great commercial success: it was exhibited at the Royal Academy summer exhibition in 1854, and bought by Queen Victoria.
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