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As African masks are largely appropriated by Europeans, they are widely commercialized and sold in most tourist-oriented markets and shops in Africa (as well as "ethnic" shops in the Western world). As a consequence, the traditional art of mask-making has gradually ceased to be a privileged, status-related practice, and mass production of masks ...
A Punu-Lumbo mask. A Punu-Lumbo mask is a tribal mask native to the Ogooué River basin in Gabon, especially in the south in Ngounié Province. [1] The masks are extremely valuable to collectors of African art, and have been sold at Sotheby's for well over $400,000. [2]
These masks may vary widely in shape, color, and size to signify various aspects of the characters or figures they are meant to portray. The ceremonies and performances in which kifwebe have been worn historically include funerals, secret society initiations, plays, and a number of spiritual rituals, including those for healing, fertility, and warding off hidden threats or enemies.
Chiwara masks are categorized in three ways: horizontal, vertical, or abstract. In addition, Chiwara can be either male or female. Female Chiwara masks are denoted by the presence of a baby antelope and straight horns. Male Chiwara masks have bent horns and a phallus. The sex of a Chiwara mask is much clearer on horizontal and vertical masks ...
The mask is represented both in male and female form. The male version is the most numerous. [4] Kanaga is represented on the flag of French Sudan (1892–1958) and the ephemeral Republic of Sudan (1958–1959). As well as that of the Federation of Mali (1959–1960) grouping Senegal and the Sudanese Republic.
Iroquois oral history tells the beginning of the False Face tradition. According to the accounts, the Creator Shöñgwaia'dihsum ('our creator' in Onondaga), blessed with healing powers in response to his love of living things, encountered a stranger, referred to in Onondaga as Ethiso:da' ('our grandfather') or Hado'ih (IPA:), and challenged him in a competition to see who could move a mountain.
The Bobo use masks in three major contexts: masks appear at harvest time in annual rites called birewa dâga. Masks participate in the male initiation, named yele dâga, which is their major function. Finally, they participate in the burial (syebi) and the funeral rites (syekwe) of people who have been killed by Dwo, or of the elder priests of Dwo.
N'tomo masks are used by the Bambara people of West Africa. There are six male initiation societies that young males must pass through before becoming a man. N'tomo Dyo is the first of these through which boys pass before their circumcision .
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