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Japan Fine Arts Exhibition in 1907. The Japan Fine Arts Exhibition (日展, Nitten (Nihon bijutsu tenrankai)) is a Japanese art exhibition established in 1907. The exhibition consists of five art faculties: Japanese Style and Western Style Painting, Sculpture, Craft as Art, and Sho (calligraphy). [1]
The aesthetic language and conventions of these media have increasingly come to represent the totality of Japanese art and culture abroad as well; the aesthetic of kawaii, for example, originally was derived from traditional concepts within Japanese art dating back to the 15th century, [75] but was explored within popular manga and anime series ...
This work has revolutionized the way Japanese art history is viewed, and Edo period painting has become one of the most popular areas of Japanese art in Japan. In recent years, scholars and art exhibitions have often added Hakuin Ekaku and Suzuki Kiitsu to the six artists listed by Tsuji, calling them the painters of the "Lineage of Eccentrics".
Shigeo Fukuda (福田 繁雄, Fukuda Shigeo, February 4, 1932 – January 11, 2009) was a sculptor, medallist, graphic artist and poster designer who created optical illusions. He is one of Japan's most well-known post-war graphic designers. He is known to be an environmentalist and anti-war, for he designed posters on these social issues. [1]
This is a timeline of Japanese history, comprising important legal, territorial and cultural changes and political events in Japan and its predecessor states. To read about the background to these events, see History of Japan .
Hamaguchi's importance in Japanese art history canon is cemented by his revival of the nearly-forgotten medium of mezzotint. [15] Mezzotint printmaking originated in 17th century Europe and was distinguished for its incorporation of halftones in which gradations of light and shade produced forms instead of lines. [ 16 ]
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(A Japanese Legacy, 18ff) Late in the century they moved to Tokyo. Over the past 150 years the ten leading Yoshida artists, extending through four generations, have used a wide variety of media, styles, and techniques. In this way the family embodies an outline of main developments in modern Japanese art history.