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An example of a prolation canon. Play ⓘ Agnus Dei from Missa l'homme armé super voces musicales, by Josquin des Prez. In this example, the first 12 bars of the Agnus Dei II of the earlier of the two masses Josquin wrote based on the L'homme armé tune, each voice sings the same music, but at different speeds. The top voice is barred in 3/4 ...
The opening Kyrie of Josquin's mass contains consecutive mensuration canons based on each phrase of the L'homme armé tune, with the tenor leading each and the other voices entering in turn. [7] The second of the three of Agnus Dei sections is another well-known mensuration canon (see example); this particular canon was famous in the sixteenth ...
Most of the movements feature pairs of mensuration canons. The interval separating the two voices in each canon grows successively in each consecutive movement, beginning at the unison, proceeding to the second, then the third, and so forth, reaching the octave at the "Osanna" section in the Sanctus. The four voices each sing in a different ...
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Telugu literature includes poetry, short stories, novels, plays, and other works composed in Telugu. There is some indication that Telugu literature dates at least to the middle of the first millennium. The earliest extant works are from the 11th century when the Mahabharata was first translated to Telugu from Sanskrit by Nannaya.
The following are the Telugu Pancha Kaavyas, the five great books of Telugu literature. Amuktamaalyada - Krishnadevaraya, 16th-century king-poet and patron of Telugu literature. Manu Charitra or Swaarochisha Manu Sambhavam - Allasani Peddana, a poet in the court of Krishnadevaraya. [1]
Telugu literature reached its peak during their period. A new style called prabandha with added fiction and few omissions from the original stories followed during this period. Poets in earlier century like Tikkana and Potana translated the Sanskrit books and epics without changing the stories from the original.
He wrote the first major Prabandha, a form of fictional poetry in Telugu, and for this reason, he is revered as Andhra Kavita Pitamahudu (the grand father of Telugu poetry). It is believed that he was also a minister in the king's court and is hence sometimes referred as Peddanaamaatyudu ( Sandhi : Peddana + Amaatyudu = Peddana, the minister).