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By 1618 the writing-master Martin Billingsley in his The Pen's Excellency, 1618, [2] distinguished three forms of secretary hand, as well as "mixed" hands that employed some Roman letterforms, and the specialised hands, the "court hand" used only in the courts of the King's Bench and Common Pleas and the archaic hands used for engrossing pipe ...
(non-Unicode name) ('Scarab' is an informal name for the generic currency sign) § Section sign: section symbol, section mark, double-s, 'silcrow' Pilcrow; Semicolon: Colon ℠ Service mark symbol: Trademark symbol / Slash (non-Unicode name) Division sign, Forward Slash: also known as "stroke" / Solidus (the most common of the slash symbols ...
Cursive – any style of handwriting written in a flowing (cursive) manner, which connects many or all of the letters in a word, or the strokes in a CJK character or other grapheme. Studies of writing and penmanship. Chirography – handwriting, its style and character; Diplomatics – forensic paleography (seeks the provenance of written ...
Each edition has a sheet of proofreader's marks that appears to be the same apart from the language used to describe the marks. The section cautions that "it should be realised that the typesetter may not understand the language in which the text is written". English; French; German; Italian; etc.
D'Nealian cursive writing. The D'Nealian Method (sometimes misspelled Denealian) is a style of writing and teaching handwriting script based on Latin script which was developed between 1965 and 1978 by Donald N. Thurber (1927–2020) in Michigan, United States.
The lowercase letter p: The French way of writing this character has a half-way ascender as the vertical extension of the descender, which also does not complete the bowl at the bottom. In early Finnish writing, the curve to the bottom was omitted, thus the resulting letter resembled an n with a descender (like ꞃ).
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These pages show more of the characteristics of "the scrivener", but the third page, having been written with slower deliberation, reveals more of Shakespeare's own quirks, or, as he put it, "more of the hand of the author". In addition there are in the three pages suggestions of a "tendency to formality and ornamental calligraphy." [28]
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