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"Bless 'Em All", also known as "The Long and the Short and the Tall" and "Fuck 'Em All", is a war song. The words have been credited to Fred Godfrey in 1917 set to music composed by Robert Kewley, however, early versions of the song may have existed amongst British military personnel in the 1880s in India.
The "Colonel Bogey March" is a British march that was composed in 1914 by Lieutenant F. J. Ricketts (1881–1945) (pen name Kenneth J. Alford), a British Army bandmaster who later became the director of music for the Royal Marines at Plymouth. The march is often whistled.
The song assumed extra significance in 1945 at the conclusion of World War II when it was played at the ceremonial surrender of the Japanese imperial army in Singapore. A massed military band of Australian, British and American forces played as Supreme Allied Commander Louis Mountbatten, 1st Earl Mountbatten of Burma arrived. [13] "Rule ...
The following text may date back to the War of Spanish Succession (1702–1713), since it refers to the grenadiers throwing grenades and the men wearing "caps and pouches" (i.e. the tall grenadier caps, [10] worn by these elite troops, and the heavy satchel [11] in which grenades were carried) and "loupèd clothes" – coats with broad bands of 'lace' across the chest that distinguished early ...
The song first appeared among British soldiers in 1939 and was quickly taken up by Allied military and civilians. Its familiarity increased after its use in a scene in the 1957 film The Bridge on the River Kwai. The song has been cited as an example of morally-correct disrespect that used political mockery to boost morale in wartime.
The remaining two date from the First World War; Carrington considered Epitaphs of the War, written in a first-person style, and Gethsemane, also in a soldier's voice, to meet his definition. Both were published in The Years Between (1919). Kipling wrote profusely on military themes during the war, but often from a more detached perspective ...
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"Boots" imagines the repetitive thoughts of a British Army infantryman marching in South Africa during the Second Boer War. It has been suggested for the first four words of each line to be read slowly, at a rate of two words per second, to match with the cadence, or rhythm of a foot soldier marching. [2]