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Typical Vertical Mess as Depiction of the Dada Baargeld (1920) Johannes Theodor Baargeld was a pseudonym of Alfred Emanuel Ferdinand Grünwald (9 October 1892 – 16 or 17 August 1927), a German painter and poet who, together with Max Ernst, founded the Cologne Dada group. He also used the name Zentrodada in connection with Dada.
Hans Peter Wilhelm Arp (/ ɑːr p /; German:; 16 September 1886 – 7 June 1966), better known as Jean Arp in English, was a German-French sculptor, painter and poet. He was known as a Dadaist and an abstract artist .
Cabaret Voltaire is the birthplace of the Dada art movement, founded in Zürich, Switzerland, in 1916. It was founded by Hugo Ball and Emmy Hennings as a cabaret intended for artistic and political purposes. Other founding members were Marcel Janco, Richard Huelsenbeck, Tristan Tzara, Sophie Taeuber-Arp and Jean Arp.
Max Ernst, 1920, Punching Ball (l'Immortalité de Buonarroti), photomontage, gouache and ink on photograph. The Dadaglobe solicitation letter, sent from Paris in early November 1920, requested four types of visual submissions—photographic portraits (which could be manipulated, but should "retain clarity"); original drawings; photographs of artworks; and designs for book pages—along with ...
He parted with Dada in 1919, when he and painter Hans Arp founded a Constructivist circle, Das Neue Leben. Reunited with Vinea, he founded Contimporanul, the influential tribune of the Romanian avant-garde, advocating a mix of Constructivism, Futurism and Cubism. At Contimporanul, Janco expounded a "revolutionary" vision of urban planning.
Hugo Ball recorded this period, noting that Tzara and Marcel Janco, like Hans Arp, Arthur Segal, Otto van Rees, and Max Oppenheimer "readily agreed to take part in the cabaret". [34] According to Ball, among the performances of songs mimicking or taking inspiration from various national folklores, "Herr Tristan Tzara recited Rumanian poetry."
It is said that Arp's creative influence for the sculpture was based on his reaction to the Second World War. The sculpture's wavy form simulates the natural curves of clouds, hills, and lakes, and expresses Arp's opposition to machines that caused wars. [1] It has elements of Surrealism and Dada. [1]
Other artists associated with the Dada movement include Francis Picabia, Man Ray, Kurt Schwitters, Hannah Höch, Tristan Tzara, Hans Richter, Jean Arp, and Sophie Taeuber-Arp. Duchamp and several Dadaists are also associated with Surrealism, the movement that dominated European painting in the 1920s and 1930s.