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The Mousetrap is a murder mystery play by Agatha Christie. The play opened in London's West End in 1952 and ran continuously until 16 March 2020, when the stage performances had to be temporarily discontinued during the COVID-19 pandemic. It then re-opened on 17 May 2021.
The Unexpected Guest is a 1958 play by crime writer Agatha Christie. The play opened in the West End at the Duchess Theatre on 12 August 1958 [1] after a previous try-out at the Bristol Hippodrome. It was directed by Hubert Gregg.
The Agatha Christie Trust For Children was established in 1969, [80] and shortly after Christie's death a charitable memorial fund was set up to "help two causes that she favoured: old people and young children". [81] Christie's obituary in The Times notes that "she never cared much for the cinema, or for wireless and television." Further,
After opening exactly 70 years ago in London's West End, the Agatha Christie murder mystery The Mousetrap will start a New York run next year.
The original West End production is most notable for the appearance of Joan Hickson in the role of Miss Pryce. Christie was so taken with her performance that she wrote to Hickson and stated that she hoped she would one day play the character of Miss Marple. [3] Hickson was later cast in this role in 1984 in the BBC television series.
This was chosen to pay homage to Christie's contribution to theatre: her 1952 murder mystery play The Mousetrap is the world's longest-running show, and she was the first female playwright to have three plays performing simultaneously in the West End. [1] The memorial depicts a book with Christie at its centre.
St Martin's Theatre is a West End theatre which has staged the production of The Mousetrap since March 1974, making it the longest continuous run of any show in the world. The theatre is located in West Street, near Shaftesbury Avenue , in the West End of London .
Spider's Web is a play by crime writer Agatha Christie. Spider's Web, which premiered in London's West End in 1954, is Agatha Christie's second most successful play (744 performances), [1] having run longer than Witness for the Prosecution, which premiered in 1953 (458 performances). [2]
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