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Rooms of the Magnificent is the second solo album by Australian guitarist and songwriter Ed Kuepper recorded in 1986 and released on the Hot label. [1] The album reunited Kuepper with members of the Laughing Clowns and featured pianist Chris Abrahams of The Necks .
Electrical Storm is the debut solo album by Australian guitarist and songwriter Ed Kuepper featuring Nick Fisher and Louis Tillett recorded in 1985 and released on the Hot label. [1] The album was Kuepper's first release following the breakup of Laughing Clowns , the band he formed after leaving The Saints .
The Return of the Mail-Order Bridegroom is a covers album by Australian guitarist and songwriter Ed Kuepper released in 2014. Recorded in three days and featuring Kuepper alone with no overdubbing, it contains reworked acoustic versions of songs by his former bands The Saints and Laughing Clowns, as well as new versions of his solo material and songs popularised by artists including Jimi ...
The video’s caption gives us an introduction to the dog’s traumatic past. When she was brought to the shelter in 2023, her body bore the physical scars of abuse, and her spirit was marked by fear.
Frontierland was nominated for an ARIA for the Best Independent Release at the ARIA Music Awards of 1997. [3]The Allmusic review by Jack Rabid awarded the album 4 stars and states "here we find Kuepper more successfully tackling mood rock... a non-compromising, neo-ambient, warm soundtrack-like post-punk album".
Goldman's earnings in the fourth quarter jumped 105% to $4.1 billion, and its full-year profits jumped 68% to $14.2 billion. Its investment banking fees in the fourth quarter were up 24%.
Echoing France's Napoleon Bonaparte, U.S. President Donald Trump on Saturday took to social media to signal continued resistance to limits on his executive authority in the face of multiple legal ...
The Aints is a band name used by Ed Kuepper during his prolific early 1990s period. The group's name relates to Kuepper's first recording group, The Saints, and its initial incarnation concentrated on material from the mid-to-late 1970s. The group then took on a life of its own and produced loud, feedback-drenched recordings of new Kuepper ...