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Ethnomusicology (from Greek ἔθνος ethnos ‘nation’ and μουσική mousike ‘music’) is the multidisciplinary study of music in its cultural context, investigating social, cognitive, biological, comparative, and other dimensions involved other than sound.
In this book, Blacking called for a study of music as "Humanly Organized Sound", arguing that "it is the activities of Man the Music Maker that are of more interest and consequence to humanity than the particular musical achievements of Western man", [2] and that "no musical style has 'its own terms': its terms are the terms of its society and ...
Feld was born in Philadelphia, Pennsylvania, on August 20, 1949.He graduated with a BA cum laude at Hofstra University in anthropology in 1971.. He first went to the Bosavi territory in 1976, accompanied by anthropologist Edward L. Schieffelin, whose recordings of the Bosavi inspired him to pursue this work. [1]
Franz Uri Boas [a] (July 9, 1858 – December 21, 1942) was a German-American anthropologist and ethnomusicologist. [22] He was a pioneer of modern anthropology who has been called the "Father of American Anthropology".
Musicology (from Greek μουσική mousikē 'music' and -λογια-logia, 'domain of study') is the scholarly study of music.Musicology research combines and intersects with many fields, including psychology, sociology, acoustics, neurology, natural sciences, formal sciences and computer science.
Comparative musicology is known as the cross-cultural study of music. [9] Once referred to as "Musikologie", comparative musicology emerged in the late 19th century in response to the works of Komitas Keworkian (also known as Komitas Vardapet or Soghomon Soghomonian.) [10] A precedent to modern ethnomusicological studies, comparative musicology seeks to look at music throughout world cultures ...
Edward Twitchell Hall, Jr. (May 16, 1914 – July 20, 2009) was an American anthropologist and cross-cultural researcher. He is remembered for developing the concept of proxemics and exploring cultural and social cohesion, and describing how people behave and react in different types of culturally defined personal space.
Alan Parkhurst Merriam (1 November 1923 – 14 March 1980) was an American ethnomusicologist known for his studies of music in Native America and Africa. [1] In his book The Anthropology of Music (1964), he outlined and develops a theory and method for studying music from an anthropological perspective with anthropological methods.