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Katsura Detached Palace and Shugaku-in Imperial Villa on the outskirts of Kyōto are good examples of this style. Their architecture has simple lines and decor and uses wood in its natural state. [38] The sukiya style was applied not only to villas but also to ryōtei (Japanese-style restaurants) and chashitsu, and later it was also applied to ...
As the style developed, the moya became a formal, public space, and the hisashi was divided into private spaces. [5] Since the shinden-zukuri-style house flourished during the Heian period, houses tended to be furnished and adorned with characteristic art of the era. In front of the moya across the courtyard is a garden with a pond.
Kyō wagasa, a traditional umbrella of Kyoto, Japan. A style of oil-paper umbrella in Kyoto is called kyōwagasa (京和傘). It is completely handmade, colors and images are of Japanese features, materials are also strictly controlled. The handle and scaffold are made from bamboo of Kameoka, Kyoto; the umbrella skin is made from Meinong paper ...
A kasatōba (笠塔婆, umbrella stupa) (see photo in the gallery below) is simply a square stone post placed over a square base and covered by a pyramidal roof. Over the roof stand a bowl-shaped stone and a lotus-shaped stone. The shaft can be carved with Sanskrit words or low-relief images of Buddhist gods.
The umbrella is small and four-sided. Kirishitan-dōrō (キリシタン灯籠) This is simply an oribe-dōrō with hidden Christian symbols. This style was born during the persecution of the Christian religion in Japan, when many continued to practice their faith in secret. [b] Mizubotaru-dōrō (水蛍燈籠, Mizubotaru-dōrō)
This style is characterized by an extreme simplicity. Its basic features can be seen in Japanese architecture from the Kofun period (250–538 C.E.) onwards and it is considered the pinnacle of Japanese traditional architecture. [1]
Irimoya-zukuri (入母屋造, lit. hip and gable roof style) is a honden style having a hip [note 4]-and-gable [note 5] structure, that is, a gabled roof with one or two hips, and is used for example in Kitano Tenman-gū's honden. [29] The style is of Chinese origin and arrived in Japan together with Buddhism in the 6th century.
Japanese-Western Eclectic Architecture (Japanese: 和洋折衷建築, Hepburn: Wayō Se'chū Kenchiku) is an architectural style that emerged from the Eclecticism in architecture movement of the late 19th and early 20th century, which intentionally incorporated Japanese architectural and Western architectural components into one building design.
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