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The Hillsong Church started in Australia and from there spread as a Pentecostal movement. Since they started releasing recordings in 1992, they have published and recorded hundreds of songs on over 50 albums, mostly under their own label, Hillsong Music. Below is a list of songs arranged alphabetically by title.
A screenshot from the music video for "(Keep Feeling) Fascination" The video for "(Keep Feeling) Fascination" was filmed in a semi-derelict area of Newham, London which was due for demolition and redevelopment as part of the widescale redevelopment of Docklands and East London which took place in the early 1980s. The video begins with an aerial ...
Fascination! is an EP released by English synth-pop band The Human League in 1983. The EP was issued as a stop-gap release in between the albums Dare (1981) and Hysteria (1984). Released in the US and Canada, it was made available in Europe as an import.
Its release in the US was delayed until May 1983 where it was incorporated into the stop gap EP Fascination!. A&M Records, the band's record company in the US, had refused to release it as a single "unless there was to be an album hot on its heels". [5] The track peaked at number 30 on the Billboard Hot 100 in the fall of 1983.
"The Lebanon" was released as a single in the UK in April 1984. It failed to replicate the success of the band's previous singles "(Keep Feeling) Fascination" and "Mirror Man", only reaching #11 on the UK Singles chart [8] and #64 on the Billboard Hot 100, becoming the band's lowest-charting single in the U.S. [9]
We finally—finally—made it to the end of the year. And though the music releases have gone from summer’s deluge to a steady trickle, that doesn’t mean there aren’t some great new songs ...
Shin Yul, Myongji University political science professor, said Yoon was likely listening to the wrong people such as right-wing extremists, YouTube personalities, and probably "still thinks he did ...
"Heart Like a Wheel" is a song by English synth-pop band The Human League. It was the first single to be taken from the Romantic? album (1990), and was written by former band member Jo Callis with Eugene Reynolds (of the Rezillos) and features vocals by Philip Oakey, Joanne Catherall and Susan Ann Sulley; with synthesizer by Neil Sutton.