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The Environmental Audio Extensions (or EAX) are a number of digital signal processing presets for audio, present in Creative Technology Sound Blaster sound cards starting with the Sound Blaster Live and the Creative NOMAD/Creative ZEN product lines.
In hardware, audio codec refers to a single device that encodes analog audio as digital signals and decodes digital back into analog. In other words, it contains both an analog-to-digital converter (ADC) and digital-to-analog converter (DAC) running off the same clock signal. This is used in sound cards that support both audio in and out, for ...
A pair of headphones being tested inside an anechoic chamber for soundproofing. Soundproofing is any means of impeding sound propagation.There are several methods employed including increasing the distance between the source and receiver, decoupling, using noise barriers to reflect or absorb the energy of the sound waves, using damping structures such as sound baffles for absorption, or using ...
ASIO 2.3 introduced monitoring for dropouts in the audio stream. [4] ASIO bypasses the normal audio path from a user application through layers of intermediary operating system software so that an application connects directly to the sound card hardware. Each layer that is bypassed means a reduction in latency (the delay between an application ...
Latency refers to a short period of delay (usually measured in milliseconds) between when an audio signal enters a system, and when it emerges.Potential contributors to latency in an audio system include analog-to-digital conversion, buffering, digital signal processing, transmission time, digital-to-analog conversion, and the speed of sound in the transmission medium.
multi-track audio editor intended as a replacement for Cubase-like software GPL-2.0-or-later: MusE: Yes No No Qt MIDI sequencer GPL-2.0-or-later: Qtractor: Yes No No Qt A non-destructive multi-track audio and MIDI Workstation GPL-2.0-or-later: Rosegarden: Chris Cannam Yes No No Qt MIDI sequencer and multi-track recorder GPL-2.0-or-later: SoX ...
In some of these cases, sound from the loudspeaker enters the microphone almost unaltered. The difficulties in canceling echo stem from the alteration of the original sound by the ambient space. These changes can include certain frequencies being absorbed by soft furnishings and reflection of different frequencies at varying strength.
Microphones, amplifiers and recording systems all add some electronic noise to the signals passing through them, generally described as hum, buzz or hiss. All buildings have low-level magnetic and electrostatic fields in and around them emanating from mains supply wiring, and these can induce hum into signal paths, typically 50 Hz or 60 Hz (depending on the country's electrical supply standard ...