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The International Expressive Arts Therapy Association (IEATA) is a non-profit organization founded in 1994. It aims to encourage the "creative spirit" and supports expressive arts therapists, artists , educators , consultants, and others using integrative, multi-modal arts processes for personal and community growth.
Art therapists may vary the goals of art therapy and the way they provide art therapy, depending upon the institution's or client's needs. After an assessment of the client's strengths and needs, art therapy may be offered in either an individual or group format, according to which is better suited to the person.
Robert Ault (1936–2008) was an American art therapist who was the co-founder of American Art Therapy Association, the founder of the Master's of Science in Art Therapy program at Emporia State University, and the founder of the Kansas Art Therapy Association. [1]
Adamson was obliged to make up the financial difference himself, and so he kept art therapy alive until it was later officially recognised by the NHS, and prevented it from being subsumed under Occupational Therapy. The emerging field of art therapy was thereby protected by means of Adamson's professional and financial efforts.
In 1989, the Advisory Council on Culture and the Arts, chaired by Deputy Prime Minister Ong Teng Cheong, produced a report assessing the status of various aspects of arts in Singapore. [1] The report would form the blueprint for cultural policy in Singapore, and led to the establishment of the National Arts Council and National Heritage Board ...
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Harriet Claire Wadeson Ph.D., LCSW, ATR-BC, HLM (January 9, 1931 – January 26, 2016 [1]) was a pioneer in the art therapy profession, as well as an accomplished author, researcher, and educator, who established and directed the Art Therapy Graduate Program at the University of Illinois at Chicago and the Art Therapy Certificate Program at Northwestern University [2] where she taught up to ...
Art sales slow in downturns resulting in the market becoming more illiquid. There is a greater degree of liquidity risk facing the art investor than with other financial assets because there is a limited pool of potential buyers, and with artworks not reaching their reserve prices and not being sold, this has an effect on the auction prices. [11]