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Anna Pavlovna Pavlova [a] (born Anna Matveyevna Pavlova; [b] 12 February [O.S. 31 January] 1881 – 23 January 1931) was a Russian prima ballerina.She was a principal artist of the Imperial Russian Ballet and the Ballets Russes of Sergei Diaghilev, but is most recognized for creating the role of The Dying Swan and, with her own company, being the first ballerina to tour the world, including ...
Choreography: Ivan Clustine Company: Anna Pavlova Premiere: 1911 When Anna Pavlova formed her own troupe, she adapted the Journey through the Pine Forest and Waltz of the Snowflakes scenes into a ballet called Snowflakes, with which she toured the United States and Europe from 1911 until her death in 1931. [1]
The Nutcracker (Russian: Щелкунчик [a], romanized: Shchelkunchik, pronounced [ɕːɪɫˈkunʲt͡ɕɪk] ⓘ), Op. 71, is an 1892 two-act classical ballet (conceived as a ballet-féerie; Russian: балет-феерия, romanized: balet-feyeriya) by Pyotr Ilyich Tchaikovsky, set on Christmas Eve at the foot of a Christmas tree in a child's imagination featuring a Nutcracker doll.
Mathilde Kschessinskaya and Pavel Gerdt in La Bayadère ballet by the ballet master Marius Petipa and the composer Ludwig Minkus, 1900 This is a list of ballet dancers from the Russian Empire, Soviet Union, and Russian Federation, including both ethnic Russians and people of other ethnicities. This list includes as well those who were born in these three states but later emigrated, and those ...
Central to the Civic's performance schedule since 2003 is the annual presentation of The Nutcracker. Originally presented in the Arie Crown Theatre from 1965 to 1997, the Ruth Page Civic Ballet performances recreates Ruth Page's beloved original full-length staging.
Pavlova and Cecchetti, duet from the Nutcracker, ballet by John Neumeier (The Frankfurt Ballet, 1971), Anna Pavlova, film by Emil Loteanu; portrayed by Georgio Dimitriou (1983). Nijinsky, film directed by Herbert Ross; portrayed by Anton Dolin (1980).
The birth of the modern pointe shoe is often attributed to the early 20th-century Russian ballerina Anna Pavlova, who was one of the most famous and influential dancers of her time. Pavlova had particularly high, arched insteps, which left her vulnerable to injury when dancing en pointe.
Anna Pavlova included the Grand Pas classique in her company's repertory. [8] Rudolf Nureyev staged the piece in 1964 for the Royal Academy of Dancing, and at La Scala in 1970. Nureyev also staged it for the Vienna State Opera Ballet and American Ballet Theatre in 1971. [9]