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Despite the fact that the organ is also a keyboard instrument, and that in Bach's time the distinction wasn't always made whether a keyboard composition was for organ or another keyboard instrument, Wolfgang Schmieder ranged organ compositions in a separate section of the Bach-Werke-Verzeichnis (Nos. 525-771).
Czerny, Carl; Griepenkerl, Friedrich Konrad [in German]; Roitzsch, Friedrich August, eds. (1880). "20 leichte Clavierstücke nebst einem Liede (Aus dem Clavierbuche der Anna Magdalena Bach)" [Twenty easy keyboard pieces, and a song (from the keyboard-booklets of Anna Magdalena Bach)]. Compositions pour Piano seul de J. Seb. Bach: Supplement ...
The Prelude in F minor of The Well-Tempered Clavier book 1, in the BGA known as Vol. 14, p. 44, over eighty years before it was given the number 857 in the Bach-Werke-Verzeichnis. In the 2nd half of the 19th century the Bach-Gesellschaft (BG) published all Bach's works in around 50 volumes, the so-called Bach Gesellschaft Ausgabe (BGA). [3]
The piece is commonly assigned to piano students and appears in many anthologies; pedagogically it fosters the playing of an even sixteenth note rhythm by alternating hands. This piece is easily Bach's best-known, to the point that Paul Corneilson's introduction to The Essential C.P.E. Bach is subtitled "Beyond the Solfeggio in C Minor". [3]
According to the Bach Digital website, the time of origin of Johann Sebastian Bach's Prelude in C minor, BWV 999, is unknown. [2] Based on Thomas Kohlhase [], the 1998 edition of the Bach-Werke-Verzeichnis indicates that the piece likely originated in Bach's Köthen period, that is, between 1717 and 1723. [3]
The 19th-century compilation set of the Twelve Little Preludes kept its presence as a collection of piano pieces in music printing and performance in the second half of the 20th century, [31] [32] while other editors stayed closer to the collation in the 18th-century sources and/or that of the Bach-Werke-Verzeichnis for their presentation of ...
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