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Over the headdress, gauze or silk was sometimes draped for weight distribution or aesthetic purposes. [1] The escoffion style was a sub-branch of a popular style of headwear called hennin . The style of the escoffion developed over time, eventually given its own name because of its popularity and distinct features which differed from the ...
A conical hennin with black velvet lappets (brim) and a sheer veil, 1485–90. The hennin (French: hennin / ˈ h ɛ n ɪ n /; [1] possibly from Flemish Dutch: henninck meaning cock or rooster) [N 1] was a headdress in the shape of a cone, steeple, or truncated cone worn in the Late Middle Ages by European women of the nobility. [2]
A wimple is a medieval form of female headcovering, formed of a large piece of cloth worn draped around the neck and chin, covering the top of the head; it was usually made from white linen or silk. Its use developed in early medieval Europe; in medieval Christianity it was unseemly for a married woman to show her hair. A wimple might be ...
Sheitel is a wig worn by some married women in order to maintain marital modesty in public; Shtreimel; Spodik; Gargush; Sudra (סודרא) is a headdress, similar to the keffiyah worn by Jewish men in the ancient near-east.
Chaperon is a diminutive of chape, which derives, like the English cap, cape and cope, from the Late Latin cappa, which already could mean cap, cape or hood ().. The tail of the hood, often quite long, was called the tippit [2] or liripipe in English, and liripipe or cornette in French.
These headdresses were shaped like bags, made of gold, silver or silk network. At first they fitted fairly close to the head, the edge, band or rim being placed high up on the forehead, to show some hair on the temples and around the nape; they enclosed the head and hair, and were secured by a circlet or fillet. Jewels were often set at ...
With England and France mired in the Hundred Years War and its aftermath and then the English Wars of the Roses through most of the 15th century, European fashion north of the Alps was dominated by the glittering court of the Duchy of Burgundy, especially under the fashion-conscious power-broker Philip the Good (ruled 1419–1469).
Gable hood with pinned-up lappets and a hanging veil. Mary, Lady Guildford, by Hans Holbein the Younger, 1527.. A gable hood, English hood or gable headdress is an English woman's headdress of c. 1500–1550, so called because its pointed shape resembles the architectural feature of the same name.
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