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Two-note chords are called dyads, three-note chords built by using the interval of a third are called triads. Arpeggiated chord A chord with notes played in rapid succession, usually ascending, each note being sustained as the others are played. It is also called a broken chord, a rolled chord, or an arpeggio.
A chord chart. Play ⓘ. A chord chart (or chart) is a form of musical notation that describes the basic harmonic and rhythmic information for a song or tune. It is the most common form of notation used by professional session musicians playing jazz or popular music.
If two numbers are underlined, it is assumed that the chord values are even. In 4/4 time, that would mean the first chord would be played for two beats, and the second chord would be played for two beats. 2- 5 1 means a minor 2 chord for two beats, then a 5 chord for two beats, then a 1 chord for four beats. If the measure is not evenly divided ...
Although changing the octave of certain notes in a chord (within reason) does change the way the chord sounds, it does not change the essential characteristics or tendency of it. Accordingly, using the ninth, eleventh, or thirteenth in chord notation implies that the chord is an extended tertian chord rather than an added chord .
In some genres of modern jazz, two chords with a slash between them may indicate an advanced chord type called a polychord, which is the playing of two chords simultaneously. The correct notation of this should be F / C , which sometimes get mixed up with slash chords.
Some chord charts intended for rhythm section accompanists contain only the chord progression. The shape note system is found in some church hymnals, sheet music, and song books, especially in the Southern United States. Instead of the customary elliptical note head, note heads of various shapes are used to show the position of the note on the ...
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Modal jazz is jazz that makes use of musical modes, often modulating among them to accompany the chords instead of relying on one tonal center used across the piece.. Though exerting influence to the present, modal jazz was most popular in the 1950s and 1960s, as evidenced by the success of Miles Davis's 1958 composition "Milestones" and 1959 album Kind of Blue, and John Coltrane's quartet ...