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A Short Organum for the Theatre" ("Kleines Organon für das Theater") is a theoretical work by the twentieth-century German theatre practitioner Bertolt Brecht. [1] It was written while in Switzerland in 1948 and published in 1949. [ 2 ]
A concert program (in American English) or concert programme (in British English) is a selection and ordering, or programming, of pieces to be performed at an occasion, or concert. Concert programs can be organized into a booklet. In some occasions the programs might be simpler, and will be put on a piece of paper.
An organ recital is a concert at which music specially written for the organ is played. The music played at such recitals is typically written for pipe organ , which includes church organs, theatre organs and symphonic organs (also known as concert organs).
The 'Bower Manuscript' is a collation of seven treatise manuscripts, compiled into a larger group and another a smaller one. The larger manuscript is a fragmentary convolute of six treatises (Part I, II, III, IV, V and VII), which are separately paginated, with each leaf approximately 29 square inches (11.5 inch x 2.5 inch).
A Treatise on the Astrolabe; A Treatise on the Binomial Theorem; A Treatise on the Circle and the Sphere; Treatise on the Faith and Practice of the Free Will Baptists; A Treatise on the Family; Treatise on the Gods; Treatise on the Law of the Prerogatives of the Crown; Treatise on the Left Emanation; A Treatise on the Patriarchal, or Co ...
Dancers ages 3-14 will perform in the styles of ballet, tap, jazz, contemporary and hip-hop.
Jordan Hall Recital Program of December 9, 1916 A typical Copeland program included short works of a Baroque composer ( Bach , Scarlatti , Grazioli , etc.), works of Chopin (generally a selection of mazurkas, waltzes and etudes), occasionally a larger work of Schumann or Beethoven , Debussy, and modern Spanish works by composers like Albéniz ...
In a short treatise on the various cursus entitled "Ratio de Cursus qui fuerunt ex auctores" (sic in Cotton Manuscripts, Nero A. II, in the British Library), written about the middle of the eighth century, probably by an Irish monk in France, is found perhaps the earliest attribution of the Milan use to St. Ambrose, though it quotes the ...