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"Woman" is a 1966 single written by Paul McCartney (under the pseudonym Bernard Webb) and recorded by Peter and Gordon. McCartney intended the song to test whether one of his compositions could be successful based on its own merits without being associated with the hit-making Lennon-McCartney songwriting team, which had produced dozens of hit records for the Beatles and other acts (including ...
Although "Another Day" and "Oh Woman, Oh Why" were not originally released on any solo or Wings album, both songs appeared as bonus tracks on later editions of Paul and Linda McCartney's 1971 solo album, Ram. "Oh Woman, Oh Why" has also been included on the Special and Deluxe editions of the 2012 remasters of Ram. [10]
Paul McCartney began composing the lyrics and melody to "She's a Woman" on 8 October 1964, the same day that it was recorded, and finished it quickly. [2] [3] Appearing on the radio programme Top Gear on 17 November 1964, he explained that he only had "about one verse" ready on the morning of the session, finishing the rest of the song once in the studio. [4]
This list is comprised of lyrics from everyone's favorite love songs. "Maybe I'm Amazed" by Paul McCartney is often hailed as one of the most iconic lyrics of all time: "Baby, I'm amazed at the ...
On his A Life in Lyrics podcast, in which the legendary Beatles musician regales listeners with the stories behind some of his most famous songs, McCartney, 81, said he believes the lyric was ...
The B-side, "B-Side to Seaside", was written by Paul and Linda McCartney and recorded by the McCartneys (without Wings) in March 1977. [6] Two years later, "Seaside Woman" was released by A&M Records in the UK in a regular version, which featured diagonal red stripes on the cover and circular ones on the label, and a special "boxed" version ...
However, in a 2010 interview on the UK television channel ITV1 for the programme Wings: Band on the Run (to promote the November 2010 CD/DVD re-release of the album) McCartney said that Jet was the name of a pony he had owned, although many of the lyrics bore little relation to the subject; indeed, the true meaning of the lyrics has defied all ...
The rising storm of strings from “A Day in the Life” reach their skull-burst crescendo, the Hofner bass on the stage-back screen explodes into fireworks and Paul McCartney steps onto the Co-Op ...