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Chicago is a 1975 American musical with music by John Kander, lyrics by Fred Ebb, and book by Ebb and Bob Fosse. Set in Chicago in the Jazz Age, the musical is based on a 1926 play of the same title by Maurine Dallas Watkins about actual criminals and crimes on which she reported. The story is a satire on corruption in the administration of ...
The traditional origin is said to be a curse set upon the play by a coven of witches, angry at Shakespeare for using a real spell. [2] One hypothesis for the origin of this superstition is that Macbeth, being a popular play, was commonly put on by theatres in financial trouble, or that the high production costs of Macbeth put theatres in financial trouble.
Lord Macbeth, the Thane of Glamis and quickly the Thane of Cawdor, is the title character and main protagonist in William Shakespeare's Macbeth (c. 1603–1607). The character is loosely based on the historical king Macbeth of Scotland and is derived largely from the account in Holinshed's Chronicles (1577), a compilation of British history.
Herbert Beerbohm Tree (1852–1917), as King John in 'King John' by William Shakespeare, Charles A. Buchel (1900). The Life and Death of King John, often shortened to King John, a history play by William Shakespeare, dramatises the reign of John, King of England (ruled 1199–1216), the son of Henry II and Eleanor of Aquitaine and the father of Henry III.
Macbeth succeeded him as King of Alba, apparently with little opposition. His 17-year reign was mostly peaceful, although in 1054 he was faced with an English invasion, led by Siward, Earl of Northumbria, on behalf of Edward the Confessor. Macbeth was killed at the Battle of Lumphanan in 1057 by forces loyal to the future Malcolm III.
An adaptation of the Broadway musical of the same name, it tells the tale of musical theater actors, Fred Graham and Lilli Vanessi, who were once married and are now performing opposite each other in the roles of Petruchio and Katherine in a Broadway-bound musical version of the play. Already on poor terms, the pair begin an all-out emotional ...
The Voodoo Macbeth is a common nickname for the Federal Theatre Project's 1936 New York production of William Shakespeare's Macbeth. Orson Welles adapted and directed the production, moved the play's setting from Scotland to a fictional Caribbean island, recruited an entirely Black cast, and earned the nickname for his production from the ...
Twenty-first-century cinema has re-interpreted Macbeth, relocating "Scotland" elsewhere: Maqbool to Mumbai, Scotland, PA to Pennsylvania, Geoffrey Wright's Macbeth to Melbourne, and Allison L. LiCalsi's 2001 Macbeth: The Comedy to a location only differentiated from the reality of New Jersey, where it was filmed, through signifiers such as tartan, Scottish flags and bagpipes. [28]