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Muzio Clementi chose F-sharp in his set for the prelude, but G-flat for the final "Grande Exercice" which modulates through all the keys. Antonín Dvořák composed Humoresque No. 7 in G-flat major, while its middle section is in the parallel key (F-sharp minor, enharmonic equivalent to the theoretical G-flat minor).
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
Although the enharmonic key of A-flat major is preferred because A-flat major has only four flats as opposed to G-sharp major's eight sharps (including the F), G-sharp major appears as a secondary key area in several works in sharp keys, most notably in the Prelude and Fugue in C-sharp major from Johann Sebastian Bach's The Well-Tempered Clavier, Book 1.
m. 2: G ♮ (with courtesy accidental), G ♭, G ♭ (the flat carries over) m. 3 : G ♭ (which is tied from the previous note), G ♯ , G ♮ (the natural sign cancels the sharp sign) Though this convention is still in use particularly in tonal music , it may be cumbersome in music that features frequent accidentals, as is often the case in ...
In music, letter notation is a system of representing a set of pitches, for example, the notes of a scale, by letters. For the complete Western diatonic scale, for example, these would be the letters A-G, possibly with a trailing symbol to indicate a half-step raise (sharp, ♯) or a half-step lowering (flat, ♭). This is the most common way ...
When a musical key or key signature is referred to in a language other than English, that language may use the usual notation used in English (namely the letters A to G, along with translations of the words sharp, flat, major and minor in that language): languages which use the English system include Irish, Welsh, Hindi, Japanese (based on katakana in iroha order), Korean (based on hangul in ...
The blues scale is so named for its use of blue notes. Since blue notes are alternate inflections, strictly speaking there can be no one blues scale, [8] but the scale most commonly called "the blues scale" comprises the minor pentatonic scale and an additional flat 5th scale degree: C E ♭ F G ♭ G B ♭ C. [9] [10] [11]
Sometimes, especially in blues music, musicians will take chords which are normally minor chords and make them major. The most popular example is the I–VI–ii–V–I progression; normally, the vi chord would be a minor chord (or m 7, m 6, m ♭ 6 etc.) but here the major third makes it a secondary dominant leading to ii, i.e. V/ii.
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