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The Foundling Hospital Anthem (HWV 268), also known by its longer title "Blessed are they that considereth the poor" , [a] is a choral anthem composed by George Frideric Handel in 1749. It was written for the Foundling Hospital in London and was first performed in the chapel there. Handel wrote two versions, one for choir only and one for choir ...
The Emory Hymnal: a collection of sacred hymns and music for use in public worship (1887) [464] Selection of Hymns, for the use of the first M. E. Church, [465] Cape May City [466] The Emory Hymnal: No. 2, sacred hymns and music for use in public worship (1891) [467] Hymnal of the Methodist Episcopal Church (1891) [468]
Sigmund Groven (born 16 March 1946 in Heddal, Telemark) is a Norwegian classical harmonica player, today considered one of the world's leading classical harmonica players. He plays with a large number of the world's leading musicians and orchestras, and he has made 23 recordings yet in his own name (compilations not counted).
Original hymn tunes included in The English Hymnal (1906) "Come Down, O Love Divine": entitled Down Ampney in honour of Vaughan Williams's birthplace "God Be With You Till We Meet Again" (Randolph) "Hail Thee, Festival day" (Salva festa dies) "For All the Saints" (Sine nomine) Original hymn tunes included in Songs of Praise (1925)
The following lists contains all the hymns composed by Sankey that are found in the "1200" edition of Sacred Songs and Solos. Many of these hymns are also found in the six-volume collection, Gospel Hymns and Sacred Songs, which Sankey edited with Philip Bliss and others, which was published in the United States between 1876 and 1891. [1]
Sebastian began his harmonica soloist career in the late 1930s playing nightclubs and cabarets, where his repertoire initially included swing music. Because very little classical music had been written for the harmonica, Sebastian painstakingly transcribed and adapted suitable works that had been composed for other wind instruments or for violin.
Christopher Smart also wrote hymns, as "a private act of worship." [4] His Hymns were printed in A Translation of the Psalms of David, Attempted in the Spirit of Christianity, and Adapted to the Divine Service, a volume published in 1765. It contained a translation of the Psalms, a new series of Hymns, and a copy of A Song to David. [5]
Suzannah Clark, a music professor at Harvard, connected the piece's resurgence in popularity to the harmonic structure, a common pattern similar to the romanesca.The harmonies are complex, but combine into a pattern that is easily understood by the listener with the help of the canon format, a style in which the melody is staggered across multiple voices (as in "Three Blind Mice"). [1]
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