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A bracelet in progress on a bead-weaving loom A 1903 Apache bead loom. 1. Roller. 2. Roller end. 3. Spacers. 4. Spacers. When weaving on a loom, the beads are strung on the weft threads and locked in between the warp threads. Although loomed pieces are typically rectangular, it is possible to increase and decrease to produce angular or curvy ...
The Cellini spiral is a variation on the Peyote stitch that uses beads of increasing size to create a textured surface. It was originated by seed bead masters Virginia Blakelock and Carol Perenoud who developed the tubular variation and named it after Benvenuto Cellini, a 16th-century Italian sculptor known for his Rococo architectural columns. [2]
A three-dimensional Ganesha figure from beads made using right-angle weave stitch.. Right-angle weave stitch, also known as RAW, is an off-loom bead weaving technique. Beads are stitched together with thread only making right angle turns, hence the name.
Modern beaded flowers, yellow made in the French beading technique and pink in the Victorian beading technique. Today, beadwork is commonly practiced by jewelers, hobbyists, and contemporary artists; artists known for using beadwork as a medium include Liza Lou, Ran Hwang, Hew Locke, Jeffery Gibson, and Joyce J. Scott.
During the Great Depression, beads were an inexpensive, and bead crafting was a time-consuming hobby that produced beautiful results. These kits included beads, a bead loom, string, and instructions. In the 1930s, with the addition of the "Official Boy Scout Beadcraft Outfit", all kits came with fully illustrated, easy-to-read instructions.
The tertiary motions of the loom are the stop motions: to stop the loom in the event of a thread break. The two main stop motions are the Warp stop motion; Weft stop motion; The principal parts of a loom are the frame, the warp-beam or weavers beam, the cloth-roll (apron bar), the heddles, and their mounting, the reed. The warp-beam is a wooden ...
The Book of Looms: A History of the Handloom from Ancient Times to the Present. Hanover and London: University Press of New England. ISBN 9780874516494. Burnham, Dorothy K. (1980). Warp and Weft: A Textile Terminology. Royal Ontario Museum. ISBN 0-88854-256-9. Collier, Ann M. (1970). A Handbook of Textiles. Pergamon Press. ISBN 0-08-018057-4.
A key factor in knitting is stitch definition, corresponding to how well complicated stitch patterns can be seen when made from a given yarn. Smooth, highly spun yarns are best for showing off stitch patterns; at the other extreme, very fuzzy yarns or eyelash yarns have poor stitch definition, and any complicated stitch pattern would be invisible.
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