Search results
Results from the WOW.Com Content Network
The name "fireside poets" is derived from that popularity; their writing was a source of entertainment for families gathered around the fire at home. The name was further inspired by Longfellow's 1850 poetry collection The Seaside and the Fireside. [3] Lowell published a book titled Fireside Travels in 1864 which helped solidify the title. [4]
John Greenleaf Whittier (December 17, 1807 – September 7, 1892) was an American Quaker poet and advocate of the abolition of slavery in the United States.Frequently listed as one of the fireside poets, he was influenced by the Scottish poet Robert Burns.
The Martian poets were English poets of the 1970s and early 1980s, including Craig Raine and Christopher Reid. Through the heavy use of curious, exotic, and humorous metaphors, Martian poetry aimed to break the grip of "the familiar" in English poetry, by describing ordinary things as if through the eyes of a Martian.
His original works include the poems "Paul Revere's Ride", "The Song of Hiawatha", and "Evangeline". He was the first American to completely translate Dante Alighieri's Divine Comedy and was one of the fireside poets from New England. Longfellow was born in Portland, District of Maine, Massachusetts (now Portland, Maine).
James Russell Lowell (/ ˈ l oʊ əl /; February 22, 1819 – August 12, 1891) was an American Romantic poet, critic, editor, and diplomat.He is associated with the fireside poets, a group of New England writers who were among the first American poets that rivaled the popularity of British poets.
William Cullen Bryant (November 3, 1794 – June 12, 1878) was an American romantic poet, journalist, and long-time editor of the New York Evening Post.Born in Massachusetts, he started his career as a lawyer but showed an interest in poetry early in his life.
A clerihew (/ ˈ k l ɛr ɪ h j uː /) is a whimsical, four-line biographical poem of a type invented by Edmund Clerihew Bentley.The first line is the name of the poem's subject, usually a famous person, and the remainder puts the subject in an absurd light or reveals something unknown or spurious about the subject.
Melopoeia or melopeia is when words are "charged" beyond their normal meaning with some musical property which further directs its meaning, [1] inducing emotional correlations by sound and rhythm of the speech. Melopoeia can be "appreciated by a foreigner with a sensitive ear" but does not translate well, according to Pound. [1]