Search results
Results from the WOW.Com Content Network
An avoid note is a note in a jazz scale that is considered, in jazz theory and practice, too dissonant to be emphasised against the underlying chord, and so is either avoided, used as a passing tone or chromatically altered. [3]
In jazz theory, an avoid note is a scale degree which is considered especially dissonant relative to the harmony implied by the root chord, and is thus better avoided. In major-key tonality the avoid note is the fourth diatonic scale step , or 11th, which is a minor ninth above the 3rd of the chord, and thus very harsh. [ 1 ]
Bebop scale is a term referring to the practice of adding a note (typically a chromatic passing tone) to any common seven tone scale in order to make it an eight tone scale. Having eight notes enables the primary chord tones to continuously fall on the on-beats when the scale is played sequentially. This is unlike common seven note scales in ...
The system is an example of the difference between the treatment of dissonance in jazz and classical harmony: "Classical treats all notes that don't belong to the chord ... as potential dissonances to be resolved. ... Non-classical harmony just tells you which note in the scale to [potentially] avoid... meaning that all the others are okay". [4]
The term side-slipping or side-stepping has been used to describe several similar yet distinct methods of playing outside. In one version, one plays only the five "'wrong'" non-scale notes for the given chord and none of the seven scale or three to four chord tones, given that there are twelve notes in the equal tempered scale and heptatonic scales are generally used. [3]
In jazz, the altered scale, altered dominant scale, or super-Locrian scale (Locrian ♭ 4 scale) is a seven-note scale that is a dominant scale where all non-essential tones have been altered. This means that it comprises the three irreducibly essential tones that define a dominant seventh chord , which are root, major third, and minor seventh ...
Get AOL Mail for FREE! Manage your email like never before with travel, photo & document views. Personalize your inbox with themes & tabs. You've Got Mail!
The ii–V–I progression is "a staple of virtually every type of [Western] popular music", including jazz, R&B, pop, rock, and country. [1] Examples include " Honeysuckle Rose " (1928), which, "features several bars in which the harmony goes back and forth between the II and V chords before finally resolving on the I chord," [ 1 ] " Satin ...