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In the Classical period, C major was the key most often chosen for symphonies with trumpets and timpani. Even in the Romantic period, with its greater use of minor keys and the ability to use trumpets and timpani in any key, C major remained a very popular choice of key for a symphony. The following list includes only the most famous examples.
The Flute Sonata in B-flat major, Anh. 4 [a] is a composition for flute and keyboard attributed to Ludwig van Beethoven found amongst his papers after his death. It remained unpublished until 1906. It remained unpublished until 1906.
The Partita for keyboard No. 2 in C minor, BWV 826, is a suite of six movements written for the harpsichord by Johann Sebastian Bach. It was announced in 1727, [ 1 ] issued individually, and then published as Bach's Clavier-Übung I in 1731.
Back in B minor, although opened with striking half-diminished harmony, the fourth movement takes a slow six-part sonata rondo form (A-B-A-C-A-B). The opening A theme in the first and second violins appears frequently through the movement, varying in intensity.
It does not accurately represent the chord progressions of all the songs it depicts. It was originally written in D major (thus the progression being D major, A major, B minor, G major) and performed live in the key of E major (thus using the chords E major, B major, C♯ minor, and A
The music is simple and gentle. Hewitt traces elements of the Andante in the Concerto in C major, K. 467: "the use of a triplet accompaniment, muted strings, and a pizzicato bass". [4] She notes a "marvellous effect of chiaroscuro" [4] by switching between major and minor keys, a technique adopted in many of his later works. [4]
Ludwig van Beethoven's Rondo for Piano and Orchestra in B-flat major, WoO 6 was composed in 1793 and originally intended as the final movement for his second piano concerto. [1] Hans-Werner Küthen states this was probably the finale for the first and second versions of the second piano concerto, being replaced by the final version of the rondo ...