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J. R. R. Tolkien was a devout Roman Catholic from boyhood, and he described The Lord of the Rings in particular as a "fundamentally religious and Catholic work; unconsciously so at first, but consciously in the revision". [1] [T 1] While he insisted it was not an allegory, it contains numerous themes from Christian theology. These include the ...
Rutledge is in addition a recognized Tolkien scholar, applying her Christian viewpoint to analyzing the thread of Christianity in the fantasy writings of J. R. R. Tolkien, who was a devout Roman Catholic. In the theologian Ralph C. Wood's view, she shows how the biblical story "forms the deep structure of Tolkien's epic", The Lord of the Rings. [3]
1974 Bilbo's Last Song; 1975 "Guide to the Names in The Lord of the Rings" (edited version) published in A Tolkien Compass by Jared Lobdell.Written by Tolkien for use by translators of The Lord of the Rings, a full version, re-titled "Nomenclature of The Lord of the Rings," was published in 2005 in The Lord of the Rings: A Reader's Companion by Wayne G. Hammond and Christina Scull
Scholars and critics have identified many themes of The Lord of the Rings, a major fantasy novel by J. R. R. Tolkien, including a reversed quest, the struggle of good and evil, death and immortality, fate and free will, the danger of power, and various aspects of Christianity such as the presence of three Christ figures, for prophet, priest, and king, as well as elements like hope and ...
J. R. R. Tolkien was among the writers whose works influenced Caldecott's conversion to Christianity. Caldecott became an authority on the Christian themes in Tolkien's The Lord of the Rings. [1] Caldecott was a contributing editor to A Hidden Presence, the Catholic Imagination of J.R.R. Tolkien. [10]
J. R. R. Tolkien, a devout Roman Catholic, embodied Christianity in his legendarium, including The Lord of the Rings.Light is a prominent motif in Christianity: it is the first thing created by God in the Book of Genesis, it symbolizes God's grace and blessings elsewhere in the Old Testament, and it is closely associated with both Jesus and humanity itself in the Gospel of John in the New ...
J. R. R. Tolkien's fantasy books on Middle-earth, especially The Lord of the Rings and The Silmarillion, drew on a wide array of influences including language, Christianity, mythology, archaeology, ancient and modern literature, and personal experience.
Michael D. C. Drout's aim for this project, as stated in the book's introduction, was to make it appealing to a wide group of readers. [1] The volume has over 125 contributors from a wide variety of countries. [1] Entries discuss their concepts' connections with various of J. R. R. Tolkien's works, as well as related literary criticism and ...
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