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Thánh Gióng (chữ Nôm: 聖揀), [1] also known as Phù Đổng Thiên Vương (chữ Hán: 扶董天王, Heavenly Prince of Phù Đổng), Sóc Thiên Vương (chữ Hán: 朔天王), Ông Gióng (翁揀, sir Gióng) [2] [3] and Xung Thiên Thần Vương (冲天神王, Divine Prince of Heaven) is a mythical folk hero of Vietnam's history ...
Flag dancing in Gióng Festival Thánh Gióng palanquin procession in Gióng Festival. Gióng Festival (Vietnamese: Hội Gióng) is a traditional festival which is celebrated annually in many parts of Hanoi to honour the mythical hero, Thánh Gióng, who is credited with defending the country against foreign enemies.
Tản Viên Sơn Thánh (Chữ Hán: 傘圓山聖, 304 BCE - ?), or Sơn Tinh (山精) is one of The Four Immortals in traditional Vietnamese mythology. He is the god of Ba Vì mountain range [ 2 ] and figures also in the romance of Sơn Tinh - Thủy Tinh ("the God of the Mountain and the God of the Water").
Lạc Long Quân ("Dragon King of Lạc", also known as Sùng Lãm) is an ancient king of the Hồng Bàng dynasty of ancient Vietnam.Quân was the son of Kinh Dương Vương, the king of Xích Quỷ.
Sơn Tinh – Thủy Tinh (The Mountain God vs.The Lord of the Waters) is a Vietnamese myth.It explains the practice of tidal irrigation and devastating floods in Vietnam as a result of monsoon—a seasonal prevailing wind in the region of South and Southeast Asia, blowing from the southwest between May and September and bringing rain (the wet monsoon), or from the northeast between October ...
Thánh Tông di thảo (chữ Hán: 聖宗遺草; lit. ' Thánh Tông's Posthumous Manuscript ') is a Vietnamese short story collection written in Literary Chinese, attributed to Lê Thánh Tông (1442–1497), emperor of the Lê dynasty who actively promoted Confucian learning and the Chinese bureaucratic system in his state, in addition to having authored several books in Literary Chinese.
Đám cưới chuột (Rat's wedding), a popular example of Đông Hồ painting. Ðông Hồ painting (Vietnamese: Tranh Đông Hồ or Tranh làng Hồ), full name Đông Hồ folk woodcut painting (Tranh khắc gỗ dân gian Đông Hồ) is a line of Vietnamese folk painting originating in Đông Hồ village (Song Hồ commune, Thuận Thành District, Bắc Ninh Province).
By this film, director Ngô Mạnh Lân was called Sir "Gióng" Lân. [3] The film was produced at the time of Vietnamization when USAF attacked North Vietnam. Vietnam Animation Studio's staff had evacuated in Vĩnh Phú province (now Phú Thọ province). They made the film at the night with oil lamp's light. [4] Style : Puppet animation