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A ritsuryo code for Buddhist clerics dated 718 CE, promulgated by the Nara government in Japan, forbid the use of dharani for any unauthorized medical treatment, military and political rebellion. The code explicitly exempted their use for "healing of the sick by chanting dharanis in accordance with the Buddha dharma". [79]
The Shurangama or Śūraṅgama mantra is a dhāraṇī or long mantra of Buddhist practice in East Asia. Although relatively unknown in modern Tibet, there are several Śūraṅgama Mantra texts in the Tibetan Buddhist canon. It has strong associations with the Chinese Chan Buddhist tradition.
The Jinapanjara (Pali: jinapañjara; Thai: ชินบัญชร, Chinabanchon), sometimes known in English as "The Cage of the Conqueror", is a post-canonical Buddhist Paritta chant. It is the most popular paritta (protective text) in Thailand. [1] It has existed since the end of the nineteenth century, from the time of the reign of Rama II.
Buddhist chants are reflections on the good spiritual qualities of the Three Refuges or an enlightened teacher, and aspirations of spiritual perfection. [43] Furthermore, chanting texts is considered a way to manifest the healing power of the Buddhist teaching in the world, and to benefit and protect the nation and the world. [62]
Mora Sutta ("for protection against snares, imprisonment and for safety") Ja no. 159 6. Dhajagga Sutta ("for protection against fear, trembling and horror") Sn i 220-2 7. Āṭānāṭiya Sutta ("for protection against evil spirits, and gaining health and happiness") •verses 104- 109 •verses 102, 103, 110-130 •verse 131 Dn iii. 159, Dhp ...
A Buddhist chant is a form of musical verse or recitation, in some ways analogous to the religious musics and hymns of other faiths. There are numerous traditions of Buddhist chanting, singing, and music in all three major schools of Buddhism: Theravada, East Asian Buddhism, and Himalayan Vajrayana.
The chanting of this dhāraṇī is one of the most popular and famous piece of Buddhist music in Chinese-speaking countries and in Vietnam. Its popularity is probably due to the fact that it sung by famous Asian performers among Buddhists, such as the Nepalese-Tibetan bhikkhunī Ani Chöying Drölma, or the Malaysian-Chinese singer Imee Ooi. [f]
The colours he advocated were almost exclusively green, blue and yellow. He taught people to avoid the colour red. He argued that green is neutral, harmonizing and used to treat depression, fatigue and trauma whilst yellow a warm colour is used to treat digestive ailments such as constipation, nervous disorders, allergies and fevers. [3]