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Woodblock print by Utagawa Kuniyoshi depicting Tamatori's escape from Ryūjin and his sea creatures Woodblock print by Kuniyoshi depicting Tamatori fighting an octopus. Scholar Danielle Talerico notes that the image would have recalled to the minds of contemporary viewers the story of Princess Tamatori, highly popular in the Edo period. [2]
They have appeared in books, prints, T-shirts, and more. Kesinger has published his first illustrated book on the couple, Walking Your Octopus: A Guide to the Domesticated Cephalopod. He describes it as "a satirical look at how we all can get a little carried away with how we raise our pets.
This image is in the public domain in the United States because it was first published outside the United States prior to January 1, 1929. Other jurisdictions have other rules.
The NROL-39 mission patch, depicting the National Reconnaissance Office as an octopus with a long reach. Cephalopods, usually specifically octopuses, squids, nautiluses and cuttlefishes, are most commonly represented in popular culture in the Western world as creatures that spray ink and use their tentacles to persistently grasp at and hold onto objects or living creatures.
Japanese erotic art, shunga, includes ukiyo-e woodblock prints such as Katsushika Hokusai's 1814 print Tako to ama (The Dream of the Fisherman's Wife), in which an ama diver is sexually intertwined with a large and a small octopus. [147] [148] The print is a forerunner of tentacle erotica. [149]
Courtesan Asleep, a bijin-ga surimono print, c. late 18th to early 19th century Fireworks in the Cool of Evening at Ryogoku Bridge in Edo, print, c. 1788–89. Hokusai's date of birth is unclear, but is often stated as the 23rd day of the 9th month of the 10th year of the Hōreki era (in the old calendar, or 31 October 1760) to an artisan family, in the Katsushika district of Edo, the capital ...
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