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Lock Every Door was first published in the United States in hardback and ebook format on July 2, 2019 through Dutton Publishing. [2] An audiobook adaptation narrated by Dylan Moore was released on the same day through Penguin Audio. [3] Dutton also released a paperback edition of Lock Every Door on May 5, 2020. [4]
The book features various suspects, each of whom had a clever means of killing the Emperor without entering the room where he slept – all these means having been available in medieval times. The locked-room genre also appears in children's detective fiction, although the crime committed is usually less severe than murder.
Necroscope is the title of a series of horror novels by British author Brian Lumley. [1]The term necroscope, as defined in the series, describes someone who can communicate with the dead (coined Deadspeak later in the series).
Touch Me has all the extraterrestrial chaos with a more playful tone. Heimann and Dudley spoke with Yahoo Entertainment about the delightfully bizarre film before its Sundance premiere. This ...
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Dirk bills himself as a "holistic detective" who makes use of "the fundamental interconnectedness of all things" to solve the whole crime, and find the whole person.This involves running up large expense accounts and then claiming that every item (such as needing to go to a tropical beach in the Bahamas for three weeks) was, as a consequence of this "fundamental interconnectedness", actually a ...
After the events of Lock In, the immobile victims of Haden's Syndrome continued to use robotic bodies called Threeps to interact with the outside world.Hilketa, a sport played by Hadens, is a combination of football and gladiatorial combat where the goal is to decapitate one Threep player chosen randomly throughout the game and get their head through the goalposts.
The Crime Book (Big Ideas Simply Explained) is a non-fiction volume co-authored by American crime writers Cathy Scott, Shanna Hogan, Rebecca Morris, Canadian author and historian Lee Mellor, and United Kingdom author Michael Kerrigan, with a foreword for the U.S. edition by Scott and the U.K. edition by crime-fiction author Peter James.