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Sicut Cervus remains one of Palestrina's most popular and frequently performed works and one of the rare motets that retained its popularity into the modern era. [7] The motet has become the "unofficial anthem" of St. John's College (Annapolis/Santa Fe) , where it is sung every Wednesday by students and faculty and is the part of the first-year ...
Sicut lilium inter spinas (1) Sicut lilium inter spinas* (4) Si ignoras te, o pulchra inter mulieres* (4) Stella quam viderant magi (1) Surgam et circuibo civitatem* (4) Surge amica mea, speciosa mea* (4) Surge Petre (4) Surge, propera amica mea* (4) Surge sancte Dei. Ambula sancte Dei (4) Suscipe verbum virgo Maria. Paries quidem filium (1)
Psalm 42 is the 42nd psalm of the Book of Psalms, often known in English by its incipit, "As the hart panteth after the water brooks" (in the King James Version).The Book of Psalms is part of the third section of the Hebrew Bible, and a book of the Christian Old Testament.
Cantiones sacrae (literally: Sacred chants), Op. 4, is a collection of forty pieces of vocal sacred music on Latin texts, composed by Heinrich Schütz and first published in 1625. The pieces have individual numbers 53 to 93 in the Schütz-Werke-Verzeichnis (SWV), the catalogue of his works.
Missa Papae Marcelli, or Pope Marcellus Mass, is a mass sine nomine by Giovanni Pierluigi da Palestrina.It is his best-known mass, [1] [2] and is regarded as an archetypal example of the complex polyphony championed by Palestrina.
Many of their other songs contain some lines in Latin, have a Latin name and/or are supported by a choir singing in Latin. Rhapsody of Fire – Ira Tenax; Rotting Christ: Sanctus Diavolos: Visions of a Blind Order, Sanctimonius, Sanctus Diavolos; Theogonia: Gaia Telus, Rege Diabolicus; Κατά τον δαίμονα εαυτού: Grandis ...
Ad fontes is a Latin expression which means "[back] to the sources" (lit. "to the sources"). [1] The phrase epitomizes the renewed study of Greek and Latin classics in Renaissance humanism, [2] subsequently extended to Biblical texts. The idea in both cases was that sound knowledge depends on the earliest and most fundamental sources.
Version with piano and organ ad libitum; Tota pulchra es. 2-part (1868) Sub tuum. 2-part (1868) Prière à la Vierge. Words by M. (1868) Le mois de Marie (1868) Le crucifix (1868) Version in English by Webb (1869) Sicut cervus. Four-part (1868) Cantique pour l'adoration du Saint-Sacrement. Words by A. de Ségur (1868) Le ciel a visité la terre.