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  2. 44,100 Hz - Wikipedia

    en.wikipedia.org/wiki/44,100_Hz

    Ultimately Sony prevailed on both sample rate (44.1 kHz) and bit depth (16 bits per sample, rather than 14 bits per sample). The technical reasoning behind the rate being chosen is associated with characteristics of human hearing and early digital audio recording systems as described below. [1]: sec. 8.5

  3. Audio bit depth - Wikipedia

    en.wikipedia.org/wiki/Audio_bit_depth

    The number of possible values that an integer bit depth can represent can be calculated by using 2 n, where n is the bit depth. [1] Thus, a 16-bit system has a resolution of 65,536 (2 16) possible values. Integer PCM audio data is typically stored as signed numbers in two's complement format. [2]

  4. Compact Disc Digital Audio - Wikipedia

    en.wikipedia.org/wiki/Compact_Disc_Digital_Audio

    Compact Disc Digital Audio (CDDA or CD-DA), also known as Digital Audio Compact Disc or simply as Audio CD, is the standard format for audio compact discs. The standard is defined in the Red Book technical specifications , which is why the format is also dubbed "Redbook audio" in some contexts. [ 1 ]

  5. Compact disc - Wikipedia

    en.wikipedia.org/wiki/Compact_disc

    The logical format of an audio CD (officially Compact Disc Digital Audio or CD-DA) is described in a document produced in 1980 by the format's joint creators, Sony and Philips. [91] The document is known colloquially as the Red Book CD-DA after the color of its cover. The format is a two-channel 16-bit PCM encoding at a 44.1 kHz sampling rate ...

  6. Audio system measurements - Wikipedia

    en.wikipedia.org/wiki/Audio_system_measurements

    The Signal-to-quantization-noise ratio is a multiple of the bit depth. Audio CDs use a bit depth of 16-bits, while DVD-Video and Blu-ray discs can use 24-bit audio. The maximum dynamic range of a 16-bit system is about 96 dB, [10] while for 24 bit it is about 144 dB.

  7. Comparison of audio coding formats - Wikipedia

    en.wikipedia.org/wiki/Comparison_of_audio_coding...

    Audio compression format Algorithm Sample rate Bit rate Bits per sample Latency CBR VBR Stereo Multichannel G.711: companding A-law or μ-law, PCM: 8 kHz 64 kbit/s 8 bit 125 μs (typical) Yes No No No G.711.0: Lossless compression of G.711: 8 kHz 0.2–65.6 kbit/s 8 bit 5–40 ms No Yes No No G.711.1: MDCT, A-law, μ-law: 8, 16 kHz 64, 80, 96 ...

  8. Glossary of digital audio - Wikipedia

    en.wikipedia.org/wiki/Glossary_of_digital_audio

    Bit depth or sample resolution is the number of bits of information recorded for each sample. Bit depth directly corresponds to the resolution of each sample in a set of digital audio data. Common examples of bit depth include CD quality audio, which is recorded at 16 bits, SACD with effective 20-bit resolution, and DVD-Audio, which can support ...

  9. Comparison of analog and digital recording - Wikipedia

    en.wikipedia.org/wiki/Comparison_of_analog_and...

    The DVD-Audio format uses standard, linear PCM at variable sampling rates and bit depths, which at the very least match and usually greatly surpass those of standard CD audio (16 bits, 44.1 kHz). In the popular Hi-Fi press, it had been suggested that linear PCM "creates [a] stress reaction in people", and that DSD "is the only digital recording ...

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