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Italian term Literal translation Definition Lacuna: gap: A silent pause in a piece of music Ossia: from o ("or") + sia ("that it be") A secondary passage of music which may be played in place of the original Ostinato: stubborn, obstinate: A repeated motif or phrase in a piece of music Pensato: thought out: A composed imaginary note Ritornello ...
Italian music terminology consists of words and phrases used in the discussion of the music of Italy. Some Italian music terms are derived from the common Italian language. Others come from Spanish, or Neapolitan, Sicilian, Sardinian or other regional languages of Italy. The terms listed here describe a genre, song form, dance, instrument ...
Regional and national music with no significant commercial impact abroad, except when it is a version of an international genre, such as: traditional music, oral traditions, sea shanties, work songs, nursery rhymes, Arabesque and indigenous music.
In instrumental music, a style of playing that imitates the way the human voice might express the music, with a measured tempo and flexible legato. cantilena a vocal melody or instrumental passage in a smooth, lyrical style canto Chorus; choral; chant cantus mensuratus or cantus figuratus (Lat.) Meaning respectively "measured song" or "figured ...
Lucio Battisti, from the late 1960s until the mid-1990s, merged the Italian music with the British rock and pop and, lately in his career, with genres like the synthpop, rap, techno and Eurodance, while Angelo Branduardi and Franco Battiato pursued careers more oriented to the tradition of Italian pop music. [59] There is some genre cross-over ...
Pages in category "Italian styles of music" The following 6 pages are in this category, out of 6 total. This list may not reflect recent changes. A. Ars subtilior; E.
Renaissance Music. New York: W. W. Norton & Company. ISBN 0-393-97169-4. Crocker, Richard L (1966). A History of Musical Style. New York: McGraw-Hill. ISBN 0-486-25029-6. Gallo, Alberto (1995). Music in the Castle: Troubadours, Books and Orators in Italian Courts of the Thirteenth, Fourteenth and Fifteenth Centuries. Chicago: University of ...
This genre sometimes featured music that was meant to be evocative of certain imagery such as birds or the marketplace. Many of these Parisian works were published by Pierre Attaingnant . Composers of their generation, as well as later composers, such as Orlando de Lassus , [ clarification needed ] were influenced by the Italian madrigal .