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The ngoni (also written ngɔni, n'goni, or nkoni) is a traditional West African string instrument. Its body is made of wood or calabash with dried animal (often goat) skin head stretched over it. The ngoni, which can produce fast melodies, appears to be closely related to the akonting and the xalam .
"The banjo had its first big site of growth in this country among the enslaved population in the Chesapeake Bay region, who were my ancestors," Blount says. Meet the musician teaching the banjo's ...
Banjo music originated informally as a form of African folk music over a hundred years ago probably in the sub-Saharan region. When the Americans forced African slaves to work on the plantations, banjo music followed them, and stayed primarily a form of African folk music, up to the 1800s.
The story of the banjo's journey from Africa to the western hemisphere blends music, history, and a union of cultures. In Banjo Roots and Branches, Robert B. Winans presents cutting-edge scholarship that covers the instrument's West African origins and its adaptations and circulation in the Caribbean and United States.
The annual Banjo Collectors Gatherings also serve as the principal forums for the presentations of new research on the banjo's history and organology. Jatta's presentation, in which he performed on the akonting and showed film footage of other Jola musicians playing the instrument, made for quite a sensation.
Traditional sub-Saharan African harmony is a music theory of harmony in sub-Saharan African music based on the principles of homophonic parallelism (chords based around a leading melody that follow its rhythm and contour), homophonic polyphony (independent parts moving together), counter-melody (secondary melody) and ostinato-variation (variations based on a repeated theme).
Joel Sweeney. Joel Walker Sweeney (1810 – October 29, 1860), also known as Joe Sweeney, was an American musician and early blackface minstrel performer. He is known for popularizing the playing of the banjo and has often been credited with advancing the physical development of the modern five-string banjo.
The music of Antigua and Barbuda is largely African in character, and has only felt a limited influence from European styles due to the population of Antigua and Barbuda descending mostly from West Africans who were made slaves by Europeans. [1] Antigua and Barbuda is a Caribbean nation in the Lesser Antilles island chain.