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Now: Hollywood Roosevelt Hotel. Hollywood Heritage advised the 1980s remodel based on archival photos of the hotel's 1920s heyday, and Hollywood has returned.
In Old California: 1942: 1991: Republic Pictures [352] In Old Oklahoma: 1943: 1992: Republic Pictures [353] In This Our Life: 1942: 1990: Turner Entertainment [354] Intruder in the Dust: 1949: 1994: Turner Entertainment [355] Invasion of the Body Snatchers: 1956: 1988: Republic Pictures [356] It Came from Beneath the Sea: 1955: 2008: Columbia ...
Pages in category "American animated black-and-white films" The following 200 pages are in this category, out of approximately 610 total. This list may not reflect recent changes .
This variation of the three-strip process was designed primarily for cartoon work: the camera would contain one strip of black-and-white negative film, and each animation cel would be photographed three times, on three sequential frames, behind alternating red, green, and blue filters (the so-called "Technicolor Color Wheel", then an option of ...
One page that is dedicated to celebrating photography from history is Old-Time Photos on Facebook. This account shares digitized versions of photos from the late 1800s all the way up to the 1980s.
Lunch atop a Skyscraper, 1932. Lunch atop a Skyscraper is a black-and-white photograph taken on September 20, 1932, of eleven ironworkers sitting on a steel beam of the RCA Building, 850 feet (260 meters) above the ground during the construction of Rockefeller Center in Manhattan, New York City.
American film and television studios terminated production of black-and-white output in 1966 and, during the following two years, the rest of the world followed suit. At the start of the 1960s, transition to color proceeded slowly, with major studios continuing to release black-and-white films through 1965 and into 1966.
A hand-colored print of George Méliès' The Impossible Voyage (1904). The first film colorization methods were hand-done by individuals. For example, at least 4% of George Méliès' output, including some prints of A Trip to the Moon from 1902 and other major films such as The Kingdom of the Fairies, The Impossible Voyage, and The Barber of Seville were individually hand-colored by Elisabeth ...