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Mad (Ne-Yo song) The Magic Key (song) Make Me Wanna Die; Marwysgafn; The Mercy Seat (song) Miss Otis Regrets; Missouri Waltz; Moonlight Shadow; Mourir sur scène; A Murder in the Glee Club; Murder to Excellence; Murder Was the Case (song) The Musical Box (song) My Guitar Wants to Kill Your Mama; My Last Words (song) My Love Mine All Mine; My ...
The Executioner's Song is a 1982 American made-for-television biographical crime drama film. It is a film adaptation of Norman Mailer 's 1979 Pulitzer Prize -winning novel of the same name . The film is directed by Lawrence Schiller from a screenplay by Mailer.
A teenage tragedy song is a style of sentimental ballad in popular music that peaked in popularity in the United States in the late 1950s and early 1960s. Lamenting teenage death scenarios in melodramatic fashion, these songs were variously sung from the viewpoint of the dead person's romantic interest, another witness to the tragedy, or the dead or dying person.
"Tears in Heaven" is a song by English guitarist, singer, and songwriter Eric Clapton and Will Jennings, written about the death of Clapton's four-year-old son, Conor. It appeared on the 1991 Rush film soundtrack .
The song was written, produced and arranged by Mike Batt for Watership Down, with original director John Hubley requesting a song about death. [4] It plays when the rabbit Hazel, the lead character in the film, almost dies after being wounded by a farmer's gun and Fiver, his little brother is led to him by the Black Rabbit of Inlé.
However, the songs are published and copyrighted individually and remain separate entities with separate sheet music. With lyrics like "And love lies bleeding in my hand/Oh, it kills me to think of you with another man", lyricist Bernie Taupin uses death symbolism as an angry take on a break-up song. [2]
The song's lyrics are featured in the bridge of the Dead Milkmen song "(Theme from) Blood Orgy of the Atomic Fern", on the band's 1987 album Bucky Fellini. A highly fictional version of the song's origin is at the heart of the 1999 German/Hungarian film Ein Lied von Liebe und Tod (Gloomy Sunday – A Song of Love and Death).
The song is sung from the perspective of a man who has, temporarily, survived a mid-air collision.In his dying words, he describes in graphic detail what he remembered of the collision and his current condition: his arms have been severed, his co-pilot is already lifeless beside him, blood is rapidly leaving his body and pooling underneath him, and a paramedic indicates that no medical ...