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to remix – to adapt the work; Under the following conditions: attribution – You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use.
Cork Institute of Technology, and its predecessor Cork RTC, developed from earlier institutions such as the Royal Cork Institution which existed from 1807 until 1861, and the Crawford Municipal Technical Institute which was founded in 1912, which trained students in Science and Engineering. In 1930 the City of Cork Vocational Education ...
Cork’s dynamic business ecosystem has consistently attracted top multinational companies; Apple, Facebook (Oculus), Eventbrite, Amazon, IBM, Deutsche Börse Group, Pilz, and Forcepoint are just ...
dope.security was founded by former Forcepoint and Symantec software engineer Kunal Agarwal on May 4, 2021. [1] [2] Following the shift of many companies to remote work following the COVID-19 pandemic, Agarwal founded dope.security to adapt secure web gateways to a growing market of workers accessing company servers through cloud computing or home Internet rather than centralized office ...
Cork won the game by 3-16 to 3-12 with O'Sullivan winning his third Munster Championship medal. [25] On 14 September, he was at full-back for Cork's 1-14 to 1-11 All-Ireland final defeat by Kilkenny. [26] O'Sullivan ended the season by being nominated for an All-Star, but lost out to Kilkenny's Noel Hickey for the full-back berth. [27]
The lightweight outsole is rugged enough for the trail, yet flexible enough to adapt to the terrain, and the sandal provides cushioning for sore feet on long treks, too.
The 2010 Ashbourne Cup inter-collegiate camogie championship was staged at the Cork IT sports complex in Bishopstown, Cork over the weekend of 20–21 February. It was won by Waterford Institute of Technology who defeated University College Cork in the final by two points, [1] a repeat of the pairing and result, though not the margin of victory, of the 1999 final.
For the stage, in addition, theater audiences tend to accept and prefer works of a more conceptual, thought-based nature, [6] meaning their preferences need to be considered when selecting a work for adaptation, but also when determining how best to adapt it. The stage imposes physical limits of size and technology.