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"Piano Man" is a song written and performed by American singer-songwriter Billy Joel. First released as a single in the US on November 2, 1973, it was included on Joel's 1973 album Piano Man . The song is sung from the point of view of a piano player at a bar, describing the patrons.
Piano Man is the second studio album by American recording artist Billy Joel, released on November 14, 1973, by Columbia Records. [8] The album emerged from legal difficulties with Joel's former label, Family Productions, and ultimately became his first breakthrough album.
Billy Joel performing in 2017. Billy Joel is the "Piano Man," and the song is celebrating its 50th anniversary.. Originally released on Nov. 2, 1973, Joel's signature song isn't even the tune that ...
Billy Joel knows all about an increasingly popular fan theory that suggests two of his "Piano Man" song characters are gay. And, the Grammy winner understand why fans think that. In the song ...
It's about coming out of the New York suburbs," Joel told John Kalodner in 1974. "But in my travels I have seen a lot of the same suburb all over the country. The song is sort of brutal, but sometimes it is good to be brutal and offend people—it keeps them on their toes." [5] The song, according to Joel, is an anti-drug song.
Don't Shoot Me I'm Only the Piano Player is the sixth studio album by English musician Elton John. [8] Released on 26 January 1973 by DJM Records, it was the first of two studio albums he released in 1973 (the second was Goodbye Yellow Brick Road, released nine months later), and was his second straight No. 1 album on the US Billboard 200 and first No. 1 album on the UK Albums Chart.
"Baby Face" is a popular Tin Pan Alley jazz song. The music was written by Harry Akst, with lyrics by Benny Davis, and the song was published in 1926. The first recording of it was by Jan Garber and his Orchestra, featuring lyricist Benny Davis singing the chorus only. The record was a number one hit in 1926.
[2] [10] [11] It was a song for which Paul McCartney had high hopes, but early recordings did not live up to the song's potential. [10] [11] McCartney said in 1975 of his initial opinion of the song, "It was one of the songs we’d gone in with high hopes for. Whenever I would play it on the piano, people would say ‘Oh, I like that one.’
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